August 2013 | Top Horrors

Lady in White (1988)

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In this supernatural nostalgia piece, a young boy tracks down a murderer with help from the ghosts of a slain little girl and her mother. In a voice-over, grown-up writer Frankie Scarlatti describes the disturbing events that intruded on his idyllic small-town boyhood. Locked in the school cloakroom by some other boys on Halloween 1962, young Frankie (Lukas Haas) encounters the ghost of Melissa Anne Montgomery (Joelle Jacobi), who re-enacts her own death by strangulation just before an unseen adult enters the school and tries to do away with Frankie himself. While recuperating in the care of his widower father (Alex Rocco), Frankie conducts some detective work and learns that Melissa is one of ten children killed over the past decade. Further encounters with the girl's ghost -- and the mournful specter of her mother, the Lady in White (Karen Powell) -- do little to help the boy solve the mystery of who killed the kids. Meanwhile, an innocent black maintenance man becomes the scapegoat on which the police hang the killings. However, thanks to the damning but enigmatic evidence Frankie has discovered, the boy faces imminent danger from the actual killer, who ends up lurking terrifyingly close to home. The sophomore feature from writer/director Frank LaLoggia, who made his name with the low-budget horror film Fear No Evil, Lady in White starred the young Lukas Haas halfway between his appearances in Witness and Rambling Rose. ~ Brian J. Dillard, Rovi

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The Fly (1986)

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Seth Brundle is a research scientist, employed by Bartok Sciences, who has invented "Telepods" two matter transmission pods that teleports any object through space from one "Telepod" to the other "Telepod". But, it is until Seth meets journalist Veronica Quaife who inspires Seth to correct the system, that Seth achieves successful teleportation. But something goes horribly wrong, when Seth uses himself as a guinea-pig in a matter transmission experiment, as he teleports himself, unaware his genes have been fused with a house fly that was trapped in the telepod with him. Seth, now finds himself slowly transforming into a terrifying mutant creature known as "Brundlefly" as he finds himself in a fierce battle as his mutated genes begins to take over. Written by Daniel Williamson

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The Raven (1935)

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Bela Lugosi and Boris Karloff team up in this excellent 1935 chiller. Lugosi is crazed brain-surgeon Dr. Richard Vollin who is infatuated with the characters and devices found in the Edgar Allan Poe stories. When a local judge brings his beautiful daughter for brain surgery, the doctor falls in love with her and is spurned by the judge when he asks for her hand in marriage. To extract revenge, Vollin invites the judge, his daughter, and her new fiance over for dinner. He intends to try out some of his gruesome Poe gadgets on them. Before he can, enter Boris Karloff, a prison escapee who wants Vollin to do some much-needed plastic surgery on his face. Vollin obliges, but instead of making him handsome, he deforms Karloff and subjects him to his will. Now the evil Vollin can get down to business... ~ Rovi

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Dracula (1931)

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"I am....Drac-u-la. I bid you velcome." Thus does Bela Lugosi declare his presence in the 1931 screen version of Bram Stoker's Dracula. Director Tod Browning invests most of his mood and atmosphere in the first two reels, which were based on the original Stoker novel; the rest of the film is a more stagebound translation of the popular stage play by John Balderston and Hamilton Deane. Even so, the electric tension between the elegant Dracula and the vampire hunter Professor Van Helsing (Edward Van Sloan) works as well on the screen as it did on the stage. And it's hard to forget such moments as the lustful gleam in the eyes of Mina Harker (Helen Chandler) as she succumbs to the will of Dracula, or the omnipresent insane giggle of the fly-eating Renfield (Dwight Frye). Despite the static nature of the final scenes, Dracula is a classic among horror films, with Bela Lugosi giving the performance of a lifetime as the erudite Count (both Lugosi and co-star Frye would forever after be typecast as a result of this film, which had unfortunate consequences for both men's careers). Compare this Dracula to the simultaneously filmed Spanish-language version, which makes up for the absence of Lugosi with a stronger sense of visual dynamics in the lengthy dialogue sequences. In 1999, a special rerelease of Dracula was prepared featuring a new musical score written by Philip Glass and performed by The Kronos Quartet. ~ Hal Erickson, Rovi

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The Black Cat (1934)

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The first cinematic teaming of horror greats Boris Karloff and Bela Lugosi is a bizarre, haunting, and relentlessly eerie film that was surprisingly morbid and perverse for its time. Peter (David Manners) and Joan Allison (Julie Bishop) are honeymooning in Budapest when they meet mysterious scientist Dr. Vitus Verdegast (Lugosi) aboard a train. When the trio's bus from the train station gets into an accident, the young couple accompanies Verdegast to the castle of the spectral Hjalmar Poelzig (Karloff), an architect and the leader of a Satanic cult. Poelzig's treachery in World War I caused the deaths of thousands of his and Verdegast's countrymen, as well as Verdegast's own internment as a prisoner of war. While Verdegast was detained, Poelzig married first his wife, who later died, then his daughter. Now Verdegast has come back for retribution, and the honeymooners are trapped in the two men's horrifying battle of wits. Corpses preserved in glass cases, frightening Satanic rituals, and a climactic confrontation in which one of the characters is skinned alive add to the film's pervasive sense of evil and doom, along with the stark black-and-white photography by John Mescall that makes Poelzig's futuristic mountaintop mansion even more disturbing. Karloff and Lugosi are both excellent, with Lugosi doing a rare turn as a good guy, albeit one who has gone off the rails. Having little to do with the Edgar Allan Poe story of the same name, The Black Cat has grown in stature over the years and is now widely regarded as the masterpiece of director Edgar G. Ulmer and one of the finest horror films ever made. ~ Don Kaye, Rovi

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Dr. Jekyll and Mr. Hyde (1941)

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Spencer Tracy and Ingrid Bergman headline this screen version of Robert Louis Stevenson's tale, directed by Gone with the Wind and Wizard of Oz legend Victor Fleming. Tracy stars as Dr. Jekyll, a scientist who downs an experimental elixir that transforms him into a monstrous alter-ego, Mr. Hyde. Lana Turner co-stars as Jekyll's fiancée, and Bergman as Eva, the woman who captures his heart. A film steeped in heavy Freudian symbolism, this production also tries something unusual by relying largely on Tracy's shift in facial mannerisms (in lieu of heavy make-up) to convey the personality change. As a result, the movie manages to place a much stronger emphasis on emotions than on the terror of physical mutation. Neither critics nor audiences bought it: the film fell prey to critical castigation when it hit movie screens in mid-August 1941, with many indicating that they vastly prefer the 1931 Rouben Mamoulian/Fredric March version. Still, this one has its defenders. ~ Nathan Southern, Rovi

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Texas Chainsaw Massacre: The Next Generation (1994)

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In this third sequel to slasher classic The Texas Chainsaw Massacre, four Texas teens are abducted by a family of psychos on their way home from the senior prom. Bloodshed, torture, and intrigue ensue. Barry (Tyler Cone) and Sean (John Harrison) meet their fates quickly, but semi-bimbo Heather (Lisa Newmyer) lasts long enough to be tortured and burned before having her head cracked open like a walnut by a mechanical leg. Meanwhile, sweet, befuddled Jenny (Renee Zellweger) actively resists her captors by stealing cars, breaking through windows, and jumping off roofs. Although Leatherface (Robert Jacks), the human skin-wearing transvestite based on real-life serial killer Ed Gein, is back on board, the cannibal cast this time out also includes several new characters, from bionic villain Vilmer (Matthew McConaughey) to trashy realtor Darla (Tonie Perensky) and literature-quoting flunky W.E. (Joe Stevens). The plot also adds an X-Files-esque conspiracy to the basic Chainsaw concept in the form of deformed businessman Rothman (James Gale), who descends on the family of killers to critique their torture techniques. Written and directed by original Massacre scribe Kim Henkel, the film appeared at 1995 festivals in a 104-minute cut under the title The Return of the Texas Chainsaw Massacre; after actors Zellweger and McConaughey became Hollywood stars, the film was re-titled, re-cut, and given a limited theatrical release in August of 1997. The nine minutes of deleted footage included scenes of Jenny's troubled home life. Both versions included brief cameos from Marilyn Burns, Paul Partain, and John Dugan -- all of whom appeared in Tobe Hooper's original film. Prodigious litigation preceded the film's re-release, although both the McConaughey and Zellweger camps denied attempting to block its release. The film's soundtrack includes a who's who of local Texas bands. ~ Brian J. Dillard, Rovi

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Black Christmas (1974)

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On the evening that the Pi Kappa Sigma sorority (which is headed by their house mother, the booze swilling Mrs. Mac) is holding their Christmas party, the house receives the latest in a string of obscene phone calls from who the girls call "the moaner", but who identifies himself as "Billy". Some like Jess Bradford don't like the calls, others like brash Barb Coard are somewhat amused by the calls, others like Phyl Carlson don't think much of them, and straight laced Clare Harrison is offended by them. The calls are just the latest trouble for Jess, who is pregnant and who doesn't want to tell her sensitive but volatile boyfriend, music student Peter Smythe. For this latest call, which is a bit more elaborate than those previous, Barb decides to make a snide comment in return, which provokes a threat by Billy. The next morning, one of the girls goes missing. The desk sergeant at the police station doesn't think much about this as a missing person case, especially as the police are already dealing with another missing person case (a thirteen year old girl named Janice Quaife). The police don't act until more information is brought to the attention of Lieutenant Kenneth Fuller by Clare's boyfriend, Chris Hayden. As Lt. Fuller and his men investigate, which includes placing a wire tap on the sorority house phones, more and more incidents happen to those living at the sorority house. In addition, the obscene calls continue and increasingly have a personal connotation to one of the girls, which includes information that could only be known by those involved. Or is there another reason why the caller knows so much about the specific girl in question? Written by Huggo

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The Descent (2005)

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The sportswoman Sarah loses her husband and daughter in a car crash, but she survives. One year later, her friends Beth, Rebecca, Sam and Holly, leaded by Juno, invite her to explore a deep cave in the mountains. When the expedition is about three kilometers underground, a rock collapses and blocks the access tunnel, trapping the group inside the cave. With limited supplies, they try to find a way out, but sooner they face a hunger and savage breed of predators. Written by Claudio Carvalho

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Cabin Fever (2002)

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Five college buddies retreat to the woods for a little R & R and end up getting a horrific lesson in infectious disease in this low-budget shocker. Cabin Fever stars Rider Strong as the geeky Paul, who hopes to settle in around the campfire with his brash buds Jeff (Joey Kern) and Bert (James DeBello), and make the moves on the nubile-but-shy Karen (Jordan Ladd). Unfortunately, a wayward, forest-dwelling vagrant (Arie Verveen) stumbles into their lives, his skin badly desiccated by a mysterious virus. Fearing for their own lives, the quintet decide to do away with the man, with little success: He stumbles away from the campsite and into a nearby stream, where his disease quickly infects the local water supply. It isn't long before the oblivious co-eds get a taste of the man's illness, and in their desperation, each learns that he or she will stop at nothing to survive. Cabin Fever premiered at the 2002 Toronto Film Festival, where it was snapped up by Lions Gate for a fall 2003 release. ~ Michael Hastings, Rovi

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The Rage (2007)

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A renegade doctor develops a biological weapon capable of transforming normal people into rampaging psychopaths, only to find his malevolent mutagen unexpectedly going airborne after the host carrying it is attacked by hungry vultures. Wronged by his government, benevolent scientist Dr. Vasilienko develops a "rage" virus with the power to spread chaos from coast to coast. Later, when one of the hosts is bitten by a flock of vultures, the scavenger birds mutate into winged monstrosities that prefer feasting on live flesh rather than leftovers. Just as the virus begins to spread across the countryside, a group of curious teens discover Dr. Vasilienko's top-secret lab. Now, as the flesh-eating freaks come out to feed, these terrified teens will be forced to fight for their lives or risk being eaten alive. Special effects master-turned-producer/writer/director Robert Kurtzman takes the helm for an over-the-top frightener starring such genre legends as Reggie Bannister (Phantasm), Andrew Divoff (Wishmaster), and Erin Brown (Masters of Horror: Sick Girl). ~ Jason Buchanan, Rovi

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Suspiria (1977)

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A candy-colored nightmare from Italian terror maestro Dario Argento, Suspiria weaves a menacing tale of witchcraft as a fairy tale gone horribly awry. From the moment she arrives in Freiberg, Germany, to attend the prestigious Tans Academy, American ballet-dancer Suzy Banyon (Jessica Harper) senses that something horribly evil lurks within the walls of the age-old institution. Ill at ease as the result of her fellow student's peculiar behavior and increasingly terrified following a series of gruesome and spectacular murders, Suzy slowly begins to unravel the dark history of the academy. Convinced that the occult roots of the school and the horrific tale of its founding mother may hold an unthinkable secret, she begins a hallucinatory journey into the black heart of one of the most powerful witches ever known to exist. As Suzy edges ever closer to a secret that may hold the answers to all of her nightmares, the coven's grip on her soul begins to tighten until there is seemingly no escape. Will Suzy solve the mystery of the cursed academy before the fearsome Black Queen consumes her, or will she finally reveal the secret that has forever haunted the lavish corridors of the academy and bring an end to the Black Queen's terrifying reign? ~ Jason Buchanan, Rovi

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Cape Fear (1991)

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Sam Bowden is a womanizing lawyer who has cheated on his burnt out, bitter wife Leigh Bowden. Sam, Leigh, and their 15 year old daughter Danielle have moved to a backwater Florida town for a new start, but Sam is already showing signs of fooling around with his clerk, 16 year old Lori Davis. Meanwhile, Leigh broods at home, venting her bitterness on Danielle. But Sam's unfaithfulness becomes the least of Leigh's worries. Years ago, as a public defender, Sam had a client named Max Cady, who was accused of brutalizing a teenage girl. Sam put up a lousy defense for Max after discovering that Max was guilty of brutalizing the girl. Now, 14 years later, Cady has been released from prison and he's hungry for revenge on Sam, having spent his sentence making himself well-read in philosophy and literature. Cady's plan is to destroy Sam's career and family. Cady fatally poisons the family dog, brutalizes Lori, and comes close to getting Danielle to sympathize with him, successfully goading Sam into violence. Sam has Lieutenant Eigert, of the local police department, try to harass Cady into leaving town, hires sleazy private eye Claude Kersek to have Cady beaten up, and offers Cady money to simply go away. When all that fails, Sam uses his family as bait to lure Cady into his house while Kersek is guarding the place. It ends up as a bloody mess when Cady sneaks in and kills Kersek. This prompts the Bowdens to leave the house, with Cady following them all the way to the Bowden houseboat for a confrontation on the Cape Fear River in North Carolina. Written by Todd Baldridge

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Leatherface: Texas Chainsaw Massacre III (1990)

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A brother and sister set out from california to florida in there fathers car to deliver it for him. Meanwhile, the police have found bodies buried in the ground covered in toxic waste, from the Original Family from TCM 1 and 2. The brother and sister stop at a gas station and are threatened by a crazy man with a shotgun. They take a road they were told of at the gas station but are hunted by leatherface and his family. There only hope is a Survivalist with alot of firepower. Written by Andrew L.

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The Texas Chainsaw Massacre 2 (1986)

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Over ten years after making the original Texas Chainsaw Massacre, Tobe Hooper returns to his deranged family of reclusive cannibals for another round of chainsaw chases and non-stop screaming. Hooper brings a real budget this time (having recently directed Poltergeist for Steven Spielberg) and the talents of veteran make-up artist Tom Savini. This means he can make things bigger, louder, and gorier than ever before -- and they are. He also brings a wacky, self-deprecating sense of humor, as if deliberately flaunting Texas Chainsaw Massacre's status as one of the first and still greatest "splatter" movies. The result is an impish take-off on the original film (and contemporary horror movies in general) that elevates its own clichés -- buckets of blood and gore, droll dialogue, the screaming female lead -- to the level of high camp. The movie is loosely concerned with a small-town disc jockey named "Stretch" (Caroline Williams, who does most of the screaming) and an embittered Texas Ranger named "Lefty" (Dennis Hopper). They team up and decide to put an end to the murderous activities of the Sawyer family once and for all (that is, of course, until Texas Chainsaw Massacre III). The real highlight of the film is when Stretch and Lefty find their way into the Sawyer family hideout -- a ruinous, winding abattoir underneath an abandoned amusement park -- and engage in a chainsaw-battle-to-the-death with Leatherface (Bill Johnson) and the rest of the clan. Jim Siedow is back from the first film as the acerbic Drayton Sawyer, the family cook and owner of the Last Roundup Rolling Grill. Chop-Top (Bill Moseley) and Leatherface do most of the movie's dirty work. ~ Anthony Reed, Rovi

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Blood Rage (1987)

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The highlight of this sometimes humorous horror film is the performance of Louise Lasser. Maddy (Lasser) is the mother of ten-year-old twins Todd and Terry (Mark Soper). Terry sneaks out of the car at a drive-in movie and slashes the throat of an innocent victim. The evil twin blames it on his innocent brother Todd, who is sent off to a mental institution. Ten years later, Maddy is about to get married again and plans to make the announcement of Thanksgiving Day. She receives a phone call saying that Todd has escaped, and the thrilled Terry begins to make secret plans to begin another killing spree. ~ Dan Pavlides, Rovi

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Stir of Echoes (1999)

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Tom Witzky is a lineman for a utility company. He's a typical working-class guy who lives in Chicago with his pregnant wife Maggie and his son Jake. Tom likes to hang out with his friends, who include Frank McCarthy and Harry Damon. One night at a party, Tom ends up in a discussion with Maggie's sister Lisa, who believes in psychic communication and the power of hypnosis. Tom challenges Lisa to hypnotize him, and she plants in him a post-hypnotic suggestion to be more open-minded...with results that were never, ever expected. That night, he sees images of violence and the ghost of Samantha Kozac, a young woman who disappeared from the neighborhood some time ago, and is now believed to be dead. Jake also sees Samantha's ghost, but while Jake is calm about it, Tom always seems angry that the images won't stop coming. Jake's baby-sitter Debbie Kozac is Samantha's sister, who is still distraught because of Samantha's disappearance. When Debbie discovers that Jake has been talking to Samantha's ghost, Debbie becomes frantic, and she thinks Jake may know where Samantha is. Determined to figure out what's going on, Tom begins a hunt for Samantha's body, and it's a hunt that threatens to kill Tom, Maggie, and Jake, because there is someone who does not want Samantha's body to be found. Written by Todd Baldridge

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Amityville - It's About Time (1992)

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A widowed father Jake Sterling returns home from a business meeting in Amityville. He brings home a gift for his two teenage kids: an eerie looking old mantle clock. What he doesn't know, is the clock has an evil past being created by a 15th century French necromancer (eater of the dead). The clock is tied to the evil past of Amityville. Soon after placing it on the fireplace mantle, he is attacked by the local neighborhood dog, leaving his ex-girlfriend Andrea to take care of him. As Jake's son and a neighbor get closer to finding out the legend of the clock, all hell breaks loose as hedges are set on fire, the dog is murdered, time begins to skip hours and slow down, Jake's daughter becomes seductive, and many people around them begin to die. Now, no one is safe from the terror as the clock begins to become the house itself.

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The Amityville Horror (1979)

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Based on a true story that was claimed by writer Jay Anson, The Amityville Horror is about a large house on the coast of Long Island where newly weds George and Kathy Lutz and their three children move into the house that they hope will be their dream house but it ends up in terror. Despite full disclosure by the real estate agent of the home's history, George and Kathy buy the house. George says, "Houses don't have memories," but they turn to their family priest Father Delaney who believes the house is haunted and performs an exorcism on the house. But the evil spirit in the house causes him to become blind and makes him very ill. George and Kathy with the help of another priest Father Bolen and a police detective they face the fears of the house, but not knowing the spirit is planning to possess George and then the children...

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Trilogy of Terror (1975)

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In this made-for-TV horror showcase, Karen Black plays four separate roles in three successive tales written or based on the works of venerable genre writer Richard Matheson. In "Julie," Black portrays a prim college literature instructor who engages in a debauched affair with one of her students after he drugs, date-rapes, and blackmails her into submission; here and in the other stories, however, things aren't what they seem. "Millicent and Therese" features the actress in two roles as good sister/bad sister twins who use witchcraft to settle their sexual and moral differences. In the final and most famous segment, "Amelia," Black plays a spinster with an insufferable mother who sublets a high-rise apartment in the city in order to find romantic freedom. When she purchases a Zuni fetish warrior doll as a present for her anthropology-professor beau, it comes to life and chases her around the flat with considerable tenacity. A failed pilot for a horror anthology series, Trilogy of Terror first appeared on ABC in 1975 and subsequently gained a devoted cult following. Black originally didn't want to participate, but agreed after her husband, Robert Burton, was cast in the role of the date-raping blackmailer. Although the actress has appeared in numerous subsequent horror films, it was her indelible quadruple roles here that inspired cult New York rockers the Voluptuous Horror of Karen Black. The film also allegedly inspired the 1984 horror-blaxploitation flick Black Devil Doll From Hell. A belated sequel, Trilogy of Terror 2, also from former Dark Shadows director Dan Curtis, followed in 1996. ~ Brian J. Dillard, Rovi

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The Hills Have Eyes (1977)

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While traveling in a trailer through the desert to California, the retired detective Big Bob Carter stops in an isolated gas station with his family for fueling and rest. Bob is traveling with his wife Ethel, his son Bobby, his daughters Brenda and Lynn and his son-in-law and Lynn's husband Doug and their daughter baby Katy. When they leave the gas station, the owner advises Bob to stay in the main road. However, the stubborn driver takes a shortcut through a nuclear testing site and wrecks his station wagon. With the family stranded in the middle of nowhere, Bob and Doug walk on the road trying to find some help. Bob is captured by an insane and sadistic member of a deranged evil family that lives nearby the spot. Doug returns to the trailer, and along the night the Carter family is attacked by a group of psychotic cannibal criminals. Absolutely trapped by the murderers, they have to fight to survive. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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I Spit on Your Grave (2010 - Remake)

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A remake of the controversial 1979 cult classic, I Spit on Your Grave retells the horrific tale of writer Jennifer Hills, who takes a retreat from the city to a charming cabin in the woods to start on her next book. But Jennifer's presence in the small town attracts the attention of a few morally deprived locals who set out one night to teach this city girl a lesson. They break into her cabin to scare her. However, what starts out as terrifying acts of humiliation and intimidation, quickly and uncontrollably escalates into a night of physical abuse and torturous assault. But before they can kill her, Jennifer sacrifices her broken and beaten body to a raging river that washes her away. As time passes, the men slowly stop searching for her body and try to go back to life as usual. But that isn't about to happen. Against all odds, Jennifer Hills survived her ordeal. Now, with hell bent vengeance, Jennifer's sole purpose is to turn the tables on these animals and to inflict upon them every horrifying and torturous moment they carried out on her... only much, much worse. -- (C) Anchor Bay

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The Last House on the Left (1972)

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Wes Craven's first film was a crude but shocking horror opus that, like George A. Romero's Night of the Living Dead (1968), became a grind house hit largely because it went much further than terror films before it had been willing to go. Often compared to Ingmar Bergman's stark medieval rape drama The Virgin Spring (1960) (though one wonders whether this was influence or just coincidence), Last House on the Left follows a group of teenage girls heading into the city when they hook up with a gang of drug-addled ne'er-do-wells and are brutally murdered. The killers find their way to the home of one of their victim's parents, where both father and mother exact a horrible revenge. Like Tobe Hooper's The Texas Chainsaw Massacre two years later, Last House on the Left was an unrelievedly dark vision of contemporary horror that inspired many future films which copied its effects without achieving its visceral impact. ~ Mark Deming, Rovi

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Secrets in the Walls (2010)

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A mother and her two teenage daughters move into an ancient house in a suburb of Detroit offered when it is offered at a very cheap price, much against the hesitancy of the elder daughter. Soon the younger kid begins to see strange things in the house but the mother waives away her statements saying that it is only imagination. Even the elder one begins to notice creepy phenomena but does not speak about it. Only when things take a more serious turn and the mother too starts to witness strange events does she realize that something is wrong in the house. Written by varghesejunior

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Halloween III: Season of the Witch (1982)

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The only installment of the Halloween series to abandon the Michael Myers story line, Halloween III: Season of the Witch is an intricate sci-fi horror hybrid. A week before Halloween, an older man named Harry Grimbridge (Al Berry) is wounded by a mysteriously dispassionate group of assailants in an industrial parking lot. After receiving treatment at a local hospital from Dr. Dan Challis (Tom Atkins) -- a hard-drinking divorced father of two -- Grimbridge is killed by an assassin who later sets himself on fire. Blowing off his own kids, Challis teams up with Grimbridge's daughter, Ellie (Stacey Nelkin), to find out why the middle-aged toy salesman was murdered. The duo's search soon leads them to a Halloween-mask factory run by inventor and practical joker Conal Cochran (Dan O'Herlihy). In between bouts of passionate lovemaking, Ellie and Challis begin to realize that the sinister old businessman has something other than treats in mind for America's kids -- something to do with the Silver Shamrock masks that Challis' children and thousands of other youngsters have bought for the holiday. Original screenwriter Nigel Kneale, whose scripts for Britain's Quatermass TV series made him a beloved science fiction fixture, sued the producers of Halloween III to have his name removed from the credits after seeing the gory finished product; director Tommy Lee Wallace ultimately received screenplay credit. John Carpenter, director of the first Halloween film, co-produced the third installment with Debra Hill, who would later soldier on without Carpenter for additional, belated sequels. ~ Brian J. Dillard, Rovi

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Lady in White (1988)

The Fly (1986)

The Raven (1935)

Dracula (1931)

The Black Cat (1934)

Dr. Jekyll and Mr. Hyde (1941)

Texas Chainsaw Massacre: The Next Generation (1994)

Black Christmas (1974)

The Descent (2005)

Cabin Fever (2002)

The Rage (2007)

Suspiria (1977)

Cape Fear (1991)

Leatherface: Texas Chainsaw Massacre III (1990)

The Texas Chainsaw Massacre 2 (1986)

Blood Rage (1987)

Stir of Echoes (1999)

Amityville - It's About Time (1992)

The Amityville Horror (1979)

Trilogy of Terror (1975)

The Hills Have Eyes (1977)

I Spit on Your Grave (2010 - Remake)

The Last House on the Left (1972)

Secrets in the Walls (2010)

Halloween III: Season of the Witch (1982)

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