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Funeral Home (1980)



A low-key, atmospheric Canadian production, Funeral Home (aka Cries in the Night) makes effective use of the title setting, which has been converted into a bed & breakfast by Maude Chalmers (Kay Hawtrey) after the demise of her less-than-popular husband -- known throughout the town as "Chalmers the Embalmer." Maude's pretty granddaughter Heather (Lesleh Donaldson) arrives for a summer visit, and soon begins to hear weird, guttural moans and sobs from the padlocked cellar; before long, assorted obnoxious guests at the inn find their welcome revoked -- violently. Despite a nerdy deputy's obvious crush on her, Heather is unable to convince him that evil forces are lurking beneath the Chalmers house, and she decides to investigate on her own (instead of just hitting the road like any sane individual). What she finds there will come as no surprise to anyone paying attention, since this quaint little inn is clearly modeled after a certain well-known Hitchcockian motel... Despite this obvious twist, this is not a bad little suspenser, with effective camerawork and good performances, especially from Hawtrey and Donaldson (who resembles a buxom Ally Sheedy). ~ Cavett Binion, Rovi
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The Forest (1982)


Two campers Sharon and Teddy are terrorized in the deep dark woods of the California wilderness by a cannibalistic knife-wielding madman. Teddy is killed but Sharon manages to escape. That same night their boyfriends, Steve and Charlie, take refuge in an old cave to protect themselves from the storm. There they meet the killer an old man wearing a beat up old baseball cap named John. He tells them the story of how he walked in on his unfaithful wife and her lover. He killed them both, and gathered his two children and ran off into the forest. Unfortunately, his kids got sick and they commited suicide. Since then, he has developed a taste for human flesh and will kill anybody who trespasses on his territory. The next morning, Charlie is drowned and prepared for the killer's breakfast. He then goes looking for Sharon, who has, unbeknownst to him, teamed up with the ghosts of his two dead children. The maniac chases Sharon but just as he's about to kill her his ghost kids save her. He runs off into the wilderness to find the wounded Steve, who has broken his leg. Can Sharon save her boyfriend in time? Written by blc

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Needful Things (1993)



Satan opens an antique shop in a small town and lures the residents into evil actions in this supernatural chiller. Based on a novel by the prolific Stephen King, the film bears many of the author's trademarks, such as the New England setting and the focus on regular people tempted by the forces of supernatural evil. Here, the enticements toward bad behavior comes from the "Needful Things" shop, owned by new resident Leland Gaunt (Max von Sydow). Gaunt's shop offers an odd collection of goods, each of which happens to be the object of desire of a local resident. Instead of money, however, Gaunt demands that townspeople perform a series of simple pranks. He has a plan, and these actions escalate until the town is at violent war with itself. The residents are brought to life by a talented cast, led by von Sydow's suave devil and including Ed Harris as the local sheriff, J.T. Walsh as a corrupt politician, and Amanda Plummer as a seemingly innocent baker. ~ Judd Blaise, Rovi

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The Kiss (1988)



The Kiss, an erotic horror film dealing with ancient curses and the occult, is the story of a teenage girl whose world is destroyed by the arrival of her mysterious aunt and the death of her mother. Amy (Meredith Salenger) leads a normal, suburban existence until the mysterious death of her mother and the simultaneous arrival of her exotic, beautiful jet-set model aunt Felice (Joanna Pacula) who she has never met. Amy's world is completely changed as she watches her father become increasingly sexually attracted to Felice. When Amy rejects Felice's strangely intense interest, Amy and her friends begin to suffer from a series of accidents which leads Amy to believe that black magic is involved. ~ Linda Rasmussen, Rovi

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Death Ship (1980)



After a passenger liner is rammed and sunk by a derelict German freighter from World War II, the handful of survivors (which include George Kennedy and Richard Crenna) manage to board the unmanned hulk but soon discover that their perils have just begun. Apparently the freighter served as a kind of floating Nazi torture dungeon, and its corridors and bulkheads have somehow become imbued with the very forces of evil that once tormented its captive cargo. When the rather lethargic resident ghosts finally work up the energy to harass their new visitors, viewers are treated to a gallery of decomposing corpses, a supernaturally-triggered case of acne, and the somewhat bland demonic possession of Kennedy, who suddenly declares himself Nazi commandant for a day. This rusty, waterlogged variant on the standard haunted-house theme begins with the interesting premise of ship-as-predator, but provides nothing new in the way of shocks, effects or atmosphere -- and the sleepwalking leads don't help matters either. ~ Cavett Binion, Rovi

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Eraserhead (1977)



Is it a nightmare or an actual view of a post-apocalyptic world? Set in an industrial town in which giant machines are constantly working, spewing smoke, and making noise that is inescapable, Henry Spencer lives in a building that, like all the others, appears to be abandoned. The lights flicker on and off, he has bowls of water in his dresser drawers, and for his only diversion he watches and listens to the Lady in the Radiator sing about finding happiness in heaven. Henry has a girlfriend, Mary X, who has frequent spastic fits. Mary gives birth to Henry's child, a frightening looking mutant, which leads to the injection of all sorts of sexual imagery into the depressive and chaotic mix. Written by Rick Gregory

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Fade to Black (1980)

 
An interesting, introspective variant on the '80s slasher formula, this low-key psychological thriller details the troubled life of obsessed movie junkie Eric Binford (Dennis Christopher), whose love of old movies extends far beyond his job at a film distributor's warehouse and endless late-night film screenings in his bedroom. His singular obsession eventually rounds the bend into psychosis after he crosses paths with a Marilyn Monroe look-alike (Linda Kerridge), who becomes the physical embodiment of his cinematic desires. When stood up on what he believed would be their first date, Eric becomes homicidally unbalanced, transforming himself into a gallery of classic movie characters -- including Dracula, The Mummy, Hopalong Cassidy, and Norman Bates -- and sets out to destroy his oppressors, starting with his crotchety wheelchair-bound Aunt Stella (Eve Brent Ashe), then targeting a boorish co-worker (a very young Mickey Rourke), and eventually working his way toward Kerridge. The film begins with a groovy concept, but loses something in the execution -- the horror and comedy elements fail to gel completely, and Christopher's performance is too creepy to generate much empathy. ~ Cavett Binion, Rovi

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One Dark Night (1982)



A strange man named Karl Rhamarevich dies shortly after discovering a way to become even more powerful in death through telekinesis. On the night of his burial in a crypt, Julie is to spend the night there as part of an initiation rite, supervised by two other girls. The crypt becomes a scene of horror as Raymar returns to life and deploys his horrifying telekinetic powers, with coffins sliding out and splintering open to release decaying bodies on Raymar's command. The bodies soon begin to menace the three girls trapped inside. Will they survive the horrific night in the crypt? Written by Derek O'Cain 

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