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Zombie (1979)



This audaciously disgusting spectacle from the late master of gruesome horror, Lucio Fulci, was posited as a semi-sequel to George Romero's Dawn of the Dead, which was released in Italy as Zombi. Tisa Farrow and a group of vacationing tourists travel to an island where they find a doctor (Richard Johnson) who is attempting to cure a condition that reanimates the dead. Things quickly get out of control as undead Spanish conquistadors crawl from their graves hungry for human flesh. The nauseatingly graphic set-pieces by Gianetto de Rossi include a close-up of a woman's eye being pierced by a large shard of wood and a zombie fighting a Great White shark underwater. This relatively well-made shocker was enormously popular worldwide and led to the zombie-gore film becoming the dominant motif of 1980s Italian horror. ~ Robert Firsching, Rovi
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Possession (1981)


Usually misattributed to the horror genre, this challenging and highly unusual drama stars Isabelle Adjani as a young woman who forsakes her husband (Sam Neill) and her lover (Heinz Bennent) for a bizarre, tentacled creature that she keeps in a run-down Berlin apartment. In the beginning, her husband knows nothing about the monster and sincerely believes that his wife is insane. He has her tailed by private detectives, whom she kills and feeds to the creature. Still unaware of what has happened, the husband contends with the reserved and inadvertently seductive presence of his wife's look-alike (also played by Adjani), a schoolteacher who frequently comes to tutor his son while his wife is away. Though tempted by her quiet goodness and beauty, he is still passionately in love with his wife and even after he finds out about the murders, he stays by her side and helps her conceal her crimes. Filmed amidst the oppressive backdrop of the Berlin Wall by the expatriate Polish director Andrzej Zulawski (who was unable to work in his homeland after too many clashes with the authorities), the picture is so relentlessly intense and so deliberately esoteric, that most viewers would find it too hard to connect with. Still its symbolism, its unbridled and flashy directorial style, and the tour de force performance by Isabelle Adjani earned this unique tale a cult following in Europe. The version originally released in the U.S. had 45 minutes chopped out; in this form, it is barely comprehensible and looks like a cheap, gory feast. ~ Yuri German, Rovi

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The Burning (1981)



Cropsy, an alcoholic, sadistic caretaker for the summer camp called Camp Blackfoot is prank-ed by a group of camp-going boys who felt it was necessary to 'get him back'. The prank goes wrong and Cropsy is left in a hospital for five years, yet to no avail Cropsy is left to go back out into the world again but this time he is a changed individual inside and outside. Cropsy, back in society again for the first time in five years, feels more than obligated to pay a visit to some individuals at a place called Camp StoneWater, just across the way from his old stomping grounds.........

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Silent Hill (2006)



A mother and daughter flee to a strange abandoned town to seek out answers to the daughter's nightly psychological turmoil in Brotherhood of the Wolf director Christophe Gans' adaptation of the popular survival horror video game. Sharon (Jodelle Ferland) is a very sick child, yet rather than seeing her child suffer the cruel indignities of the medical profession, Rose (Radha Mitchell) ignores her husband's (Sean Bean) pleas and absconds with her ailing daughter to the fog-enshrouded town of Silent Hill. A town drenched in darkness and inhabited by a strange collection of menacing specters, Silent Hill seemingly swallows young Sharon whole upon arrival. Determined to get her daughter back at any cost, Rose sets out to explore the mysterious Silent Hill, only to discover an evil so powerful that it possesses the ability to transform anything it wishes. With the deeply disturbing history of the town slowly coming into focus through the dense fog, Rose soon realizes that both she and her daughter may be little more than simple pawns in a much larger, and seemingly supernatural, game. ~ Jason Buchanan, Rovi

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Misery (1990)


Adapted from a Stephen King novel, Rob Reiner's Misery cast James Caan as a writer at a career crossroads. The film opens with Paul Sheldon (Caan) completing work on his latest novel, a break from his popular series of novels featuring the character Misery Chastain. He gets into a severe car accident and is saved by Annie Wilkes (Kathy Bates), a reclusive woman who nurses him back to health. Annie is a huge fan of the Misery novels, and she finishes reading the new one while Paul is convalescing. She becomes enraged when she discovers that Paul has killed off Misery. Annie injures Paul's foot severely so that he is unable to leave her house, and forces him to write a new Misery novel. A local sheriff (Richard Farnsworth) and Paul's agent (Lauren Bacall) both attempt to track down what happened to the missing author. Misery shot the relatively unknown Kathy Bates to stardom, winning her one of the few Best Actress Oscars ever bestowed for portraying an evil character. ~ Perry Seibert, Rovi


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I Know Who Killed Me (2007)


In New Salem, the upper-class high-school student and aspiring writer Aubrey Fleming has just quit the piano classes to dedicate to write. When the mutilated body of her missing schoolmate Jennifer Toland is found, the locals grieve the student while the police chase the killer. After a football game, Aubrey is kidnapped and then she is mutilated by the serial-killer. A couple of weeks later, Aubrey is found unconscious in a lonely road and brought to the hospital with severed hand and foot in the same modus-operandi Jennifer was mutilated. When she awakes, she tells that she is the stripper Dakota Moss and her junky mother had an overdose and died. When the FBI finds that Dakota is one character of Aubrey's stories, they conclude the girl needs psychiatric treatment and protection. But Dakota insists she is not Aubrey. Written by Claudio Carvalho

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