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Showing posts with label 1990s. Show all posts
Showing posts with label 1990s. Show all posts

The Prophecy (1995)


The directorial debut from Highlander screenwriter Gregory Widen stars Christopher Walken as the angel Gabriel, who, fed up with God giving all of his attention to humans, decides to stage a sort of coup. With plans of killing all of the good angels, Gabriel decides to enlist the help of a recently deceased and inhumanly malevolent army general. In order to prevent Gabriel from obtaining the help of the vicious Korean War vet, good angel Simon (Eric Stoltz) stashes the general's soul in an unsuspecting young Native American girl named Mary (Moriah Snyder). As Gabriel gets closer to finding Mary, an ex-seminary-student-turned-cop and a school teacher, played by Elias Koteas and Virginia Madsen, team together to protect her. Meanwhile, Satan (Viggo Mortensen) enters into the mix, concerned over the implications the heavenly war may have on his dominion. Later spawning a series of sequels, The Prophecy was released in the U.K. under the title God's Army. ~ Matthew Tobey, Rovi

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Buried Alive (1990)


Joiner Clint Goodman is a man that has built his comfortable house and his construction company in his hometown through hard work. He loves his wife Joanna, but they have been trying unsuccessfully to have a baby. Clint's best friend is Sheriff Sam Eberly and every now and then they spend the night fishing in the lake. Clint does not suspect that Joanna is having a love affair with the local doctor Cortland 'Cort' van Owen. The lovers plot to kill Clint and sell his company and his house, then move to New York City. Cort gives poison to Joanna and she spikes Clint's wine with it. Clint has a heart attack and is immediately buried without autopsy in a cheap coffin. During the night, Clint wakes buried alive, but he succeeds in escaping. He goes to his house and he finds the truth about his wife and the doctor. Furthermore, he learns that Joanna was pregnant and Dr. Cort had conducted an abortion of his child. Clint plots a dark revenge against Joanna and Cort. - Written by Claudio Carvalho

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Fever Lake (1996)


In this horror outing, a bunch of teens decide to spend the night in a supposedly haunted cabin on the shores of the title lake. Ignoring the warning of wiser locals, the kids settle in for what will prove to be a long and terrifying night. ~ Sandra Brennan, Rovi 

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The Blair Witch Project (1999)

Combining Hi-8 video with black-and-white 16 mm film, this film presents a raw look at what can happen when college students forego common sense and enter the world of voodoo and witchcraft. Presented as a straightforward documentary, the film opens with a title card explaining that in 1994, three students went into the Maryland back woods to do a film project on the Blair Witch incidents. These kids were never seen again, and the film you are about to see is from their recovered equipment, found in the woods a year later. The entire movie documents their adventures leading up to their final minutes. The Blair Witch incident, as we initially learn from the local town elders, is an old legend about a group of witches who tortured and killed several children many years ago. Everyone in town knows the story and they're all sketchy on the details. Out in the woods and away from their parked car (and civilization), what starts as a school exercise turns into a nightmare when the three kids lose their map. Forced to spend extra days finding their way out, the kids then start to hear horrific sounds outside their tents in the pitch-black middle of night. They also find strange artifacts from (what can only be) the Blair Witch, still living in the woods. Frightened, they desperately try to find their way out of the woods, with no luck. Slowly these students start to unravel, knowing they have no way of getting out, no food, and it's getting cold. Each night they are confronted with shrieking and sounds so haunting that they are convinced someone is following them, and they quickly begin to fear for their lives. The film premiered in the midnight movie section at the 1999 Sundance Film Festival. ~ Chris Gore, Rovi

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Night of the Demons 2 (1994)


 Wattch also: Night of the demons (1988)

Angela, the universe's most unpleasant party crasher, returns! Angela's sister, Mouse, is taken by her bullying Catholic school classmates to a party at Angela's favorite haunt, and before long, everybody's being turned into demons and only a butt-kickin' nun, who wields her ruler like a mighty sword of steel, can save the day. - Written by Brian J. Wright

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In Dreams (1999)


Claire Cooper (Annette Bening), has been having psychic visions all of her life, though she's never been clear of what they mean. Now an adult, she lives an idyllic, small-town life in a Massachusetts farmhouse with her airline-pilot husband Paul (Aidan Quinn) and her young daughter Rebecca (Katie Sagona), while Claire illustrates children's books. A psychopath (Robert Downey Jr.) has been kidnapping young girls in their area, and one is currently missing. Claire has a recurring dream about the killer walking with a girl through an apple orchard. Paul tells police detective Jack Kay (Paul Guilfoyle), who doesn't believe him, as the girl's body had been found at the bottom of the lake. Claire's vision was actually a premonition, starting a chain of events that would create a two-way link to the killer. The key to the mystery is the lake itself, of which Claire dreams, created when the old town of Northfield was flooded to make a reservoir. As her psychiatrist Dr. Silverman (Stephen Rea) does not understand her now waking dreams, Claire alone must now lose herself to the visions. She must relive the killer's memories to find his identity and location. Director Neil Jordan has explored the nature of dreams in a more Freudian manner in his Company of Wolves. ~ Ron Wells, Rovi

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The Addiction (1995)


Kathleen Conklin was just a normal student attending college. While walking home one night she is dragged off the street and bitten by a strange woman. Soon Kathleen goes from being a normal student to being a vampire. Kathleen's need for blood is similar to a drug addict's need for drugs, and we watch as she goes from one fix to the next. - Written by Justin Sharp

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Pale Blood (1990)


''A pretty good direct-to-video vampire tale that has an intriguing premise but doesn't completely live up to its potential. L.A. is the backdrop for a series of brutal murders, where female victims have every drop of blood drained from their bodies. Director Hsu (who was born in Hong Kong, moved to the U.S. and graduated from UCLA's film program; she also co-scripted) flips the roles seen in your standard vampire film by making a mere mortal (Wings Hauser) responsible for the murders and our hero (George Chakiris) a sullen and understated vampire who flies in from London to team up with a female private investigator (Pamela Ludwig) to try to catch the killer... ''

Source: thebloodypitofhorror.blogspot.com
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Halloween H2O (1998)

Seventh movie in the series and the first to star Jamie Lee Curtis as her character since Halloween 1 and 2. It is 1998 and 20 years after Michael Myers's attack on his unknowing sister Laurie Strode. Since then Laurie has lived with the danger of Michael tracking her down again and therefore faked her death in a car crash and reinvented herself as Keri Tate, the head-mistress of an executive school. However, she is having trouble with the drink, keeps having nightmares featuring Michael and keeps having run-ins with her rebellious teenage son, John, who doesn't believe that Michael is alive. Some of the kids decide to have a Halloween party and Laurie comes out and tells the truth to her boyfriend, teacher Will. However, somebody searches through the papers of recently deceased Dr. Loomis and finds that the info on Laurie's whereabouts are stolen. Michael has found Laurie and people start to disappear during the party. But this time Laurie is not going to run and stays to fight the madman whose trying to complete a job that has taken nearly 20 years so far...

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Halloween: The Curse of Michael Myers (1995)


Picking up six years after the events of Halloween 5: The Revenge of Michael Myers, this competently produced but ultimately disappointing sequel attempts to tie up the uneven horror series' loose ends with a less-than-convincing resolution. This installment opens with Jamie Lloyd (J.C. Brandy), young niece of supernatural psycho-killer Michael Myers, giving birth on an altar amid a mysterious Druid ceremony. Before she is killed by her monstrous uncle, Jamie manages to leave her baby in the care of young Tommy Doyle (Paul Rudd), who has pursued a lifelong obsession with the horrific Myers family legacy in the town of Haddonfield, IL. Living with members of the Strode family, Tommy comes to suspect that one of them, little Danny Strode (Devin Gardner), is cursed with the same malevolent power that drove Michael to murder several members of his family. When Michael arrives in Haddonfield to find and destroy Jamie's baby, Tommy joins forces with Dr. Sam Loomis (Donald Pleasence), Michael's ex-psychiatrist and a life-long crusader against his sinister former patient, to find the connection between Michael and the Man in Black and end the curse once and for all. Released shortly after Pleasence's death, this confusing, horribly edited blend of tired slasher clichés and X-Files-inspired subplots is a poor testament to the long career of the distinguished and compelling character actor. ~ Cavett Binion, Rovi 

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Return of the Living Dead III (1993)


A more straightforward horror film than the darkly comic Return of the Living Dead Part II (1988), this third chapter in the "Living Dead" saga was directed by Brian Yuzna and is quite similar plot-wise to his earlier film, Bride of Re-Animator (1990). J. Trevor Edmond and Mindy Clarke star as Curt Reynolds and Julie Walker, a young couple in love. Curt's father is Col. John Reynolds (Kent McCord), a scientist working on a top-secret project at a nearby military compound. When Curt steals his dad's security pass and sneaks Julie into the base, they discover that the project involves bringing corpses back to life using the powerful gas Trioxin, responsible for events in the previous films. The military hopes to use the mindless, flesh-consuming zombies as weapons, but the experiment goes gruesomely awry. Later, Julie is killed in an accident on Curt's motorcycle and the grief-stricken boyfriend brings her to the base and exposes her to the gas. As she begins craving human flesh, Curt must try to keep her alive while also facing down a local street gang he's unintentionally crossed, as well as the soldiers seeking Julie, led by his father. ~ Karl Williams, Rovi

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House on Haunted Hill (1999)


In this remake of William Castle's campy 1958 classic, an eccentric millionaire named Steven Price invites a diverse group of people to a reputedly haunted mansion that was formerly the site of an insane asylum. Steven offers his guests $1,000,000 each if they can spend the entire night at the old house without fleeing in terror. It sounds simple enough, but when those stories about ghosts haunting the mansion turn out to be true, the guests may no longer opt to stick around. In this version, Steven is played by Geoffrey Rush, and his guests include Jeffrey Combs, Taye Diggs, Peter Gallagher, Chris Kattan, and Bridgette Wilson; Famke Janssen plays Evelyn Price. Sadly, this remake does not feature the original's memorable special-effects gimmick, "Emergo," an inflatable plastic skeleton that rolled on wires through the theater during showings. ~ Mark Deming, Rovi 

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Bram Stoker's Dracula (1992)


Based on Bram Stoker's classic 1897 novel, this film from Francis Ford Coppola and screenwriter James Victor Hart offers a full-blooded portrait of the immortal Transylvanian vampire. The major departure from Stoker is one of motivation as Count Dracula (Gary Oldman) is motivated more by romance than by bloodlust. He punctures the necks as a means of avenging the death of his wife in the 15th century, and when he comes to London, it is specifically to meet heroine Mina Harker (Winona Ryder), the living image of his late wife (Ryder plays a dual role, as do several of her costars). Anthony Hopkins is obsessed vampire hunter Van Helsing, while Keanu Reeves takes on the role of Jonathan Harker, and Tom Waits plays bug-eating Renfield. Bram Stoker's Dracula was the winner of three Academy Awards. ~ Hal Erickson, Rovi

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Misery (1990)


Adapted from a Stephen King novel, Rob Reiner's Misery cast James Caan as a writer at a career crossroads. The film opens with Paul Sheldon (Caan) completing work on his latest novel, a break from his popular series of novels featuring the character Misery Chastain. He gets into a severe car accident and is saved by Annie Wilkes (Kathy Bates), a reclusive woman who nurses him back to health. Annie is a huge fan of the Misery novels, and she finishes reading the new one while Paul is convalescing. She becomes enraged when she discovers that Paul has killed off Misery. Annie injures Paul's foot severely so that he is unable to leave her house, and forces him to write a new Misery novel. A local sheriff (Richard Farnsworth) and Paul's agent (Lauren Bacall) both attempt to track down what happened to the missing author. Misery shot the relatively unknown Kathy Bates to stardom, winning her one of the few Best Actress Oscars ever bestowed for portraying an evil character. ~ Perry Seibert, Rovi


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Lost Highway (1997)



Five years after the critical and commercial disappointment of Twin Peaks: Fire Walk With Me, director David Lynch returned to the big screen with this cryptic thriller about confused identities and erotic obsession. Fred (Bill Pullman) is an avant-garde jazz saxophonist who shares a luxurious but fashionably barren house with his wife Renee (Patricia Arquette). Fred suspects that Renee may be unfaithful to him, but realizes he has bigger things to worry about when a series of videotapes appear at his door that prove someone is watching his home from the outside and inside. When Renee is found murdered, Fred finds himself behind bars, but one morning Fred is no longer in his cell. He has seemingly been transformed into Pete Drayton (Balthazar Getty), a young auto mechanic who foolishly allowed himself to get involved with the wife of gangster Dick Laurent (Robert Loggia), a luscious blonde named Alice who looks exactly like Renee. ~ Mark Deming, Rovi

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Jacob's Ladder (1990)



On 06 Oct 1971, in Vietnam, the American soldier Jacob Singer is wounded by a bayonet during an attack to his platoon. He wakes up in a New York subway while going home late at night after working overtime in the post office. He is divorced from Sarah, lives with his colleague and lover Jezebel in a small Brooklyn apartment and misses his young son Gabe, who died in an accident for which Jacob feels responsible. During the next days, Jacob is chased by demons and finds the army conspiracy against him, while having strange visions during different moments of his life. Written by Claudio Carvalho.

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Basket Case 2 (1990)


Although it took eight years for cult director Frank Henenlotter to revisit the twisted world of Duane Bradley (Kevin Van Hentenryck) and his basket-bound, mutant former Siamese twin Belial, this sequel picks up the plot mere moments after the original Basket Case ended, finding the psychically-linked brothers mangled but very much alive after the rather aggressive tiff that pitched them out a Bowery flophouse window. They manage to elude the authorities, escape the hospital (to avoid having to explain the dozen-or-so murders committed by gnarled, lumpy Belial), and eventually find sanctuary at the palatial home of Granny Ruth (jazz songbird Annie Ross), an eccentric activist who rallies the cause of "Unique Individuals" like Belial who have been ostracized by society for their horrific appearance and behavior. (Unique, indeed... Ruth's tenants run the gamut from a boy with 18-inch teeth to a woman who looks like ahammerhead shark in a summer frock.) Although the pair soon grow quite accustomed to their new home, they are eventually forced to confront their murderous past, thanks to a tabloid reporter and a cynical cop, both of whom come to regret sticking their noses into places where such appendages tend to get bitten off. Henenlotter deserves credit for exploring new terrain in this interesting follow-up, but his reliance on outrageous makeup effects diminishes the effectiveness of the "Monsters Are People Too" theme -- it's hard to work up much empathy toward Ruth's charges, depicted as mute automatons by actors wearing 70 pounds of foam latex on their heads. Not that Henenlotter doesn't return to grotesque form now and then -- particularly for the most disgusting love scene on record and the effective shock ending, which paves the way for yet another sequel. ~ Cavett Binion, Rovi

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The Sixth Sense (1999)


Child psychiatrist Malcolm Crowe is confronted one night by his former patient Vincent Gray who he failed to help. After Vincent shoots Crowe in the stomach and kills himself, Crowe can't stop thinking about it. A few months later he is hired to help a troubled boy named Cole Sear, who has many of the same problems Vincent had. Crowe sees a chance to redeem himself, but doubts his ability to reach the boy, particularly when Cole claims to see ghosts who don't know they're dead. Written by rmlohner 

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Urban Legend (1998)


Australian director Jamie Blanks helmed this teen horror film set at Pendleton University. Campus legend has it that 25 years earlier Pendleton was the site of a mass murder by a demented abnormal psych instructor who killed six students and then himself. However, no proof of the prof's deed remains. Urban legends are the subject of a course in American folklore taught by Professor Wexler (Robert Englund). When a series of bizarre deaths occur on the campus, assertive student Natalie thinks they are murders based on urban legends, but classmates Brenda (Rebecca Gayheart), ambitious journalism major Paul (Jared Leto), and practical joker Damon (Joshua Jackson) claim it's just a coincidence. Then Natalie begins to realize that she's the next victim. Since Joshua Jackson is a co-lead on TV's Dawson's Creek, an inside joke surfaces when a radio plays a bit of the Dawson's Creek theme (Paula Cole's I Don't Want to Wait). ~ Bhob Stewart, Rovi 

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I Know What You Did Last Summer (1997)


It's the fourth of July and four friends Julie, Ray, Helen, and Barry are celebrating along with graduation. On their way home they hit a pedestrian walking down a curved corner. They make a pact to keep it a secret in hopes of saving their futures. While dumping the body in a near by sea, the body becomes alive and tries to attach Helen. They throw him in and never return to that site. One year later, Julie returns home from college for summer break. In the mail she receives a letter stating that "I know what you did last summer." Julie freaks out and gathers up her old friends who are now separated, miserable and not speaking. They all decide to find out who saw them that fateful night and in the process of tracking the suspect down, the body count goes up. Written by Kyle

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Popcorn (1991)



A "Leatherface" type murderer who wears other people's faces, kills at an all-night horrorthon at an old theatre put on by a bunch of film students. Maggie, the lead character, believes it's really Lanyard Gates, a crazed film maker who killed his family live on stage, fifteen years ago. And now he's back to kill his daughter, Sara, who is believed to be really Maggie. Written by Jason Mechalek 

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Needful Things (1993)



Satan opens an antique shop in a small town and lures the residents into evil actions in this supernatural chiller. Based on a novel by the prolific Stephen King, the film bears many of the author's trademarks, such as the New England setting and the focus on regular people tempted by the forces of supernatural evil. Here, the enticements toward bad behavior comes from the "Needful Things" shop, owned by new resident Leland Gaunt (Max von Sydow). Gaunt's shop offers an odd collection of goods, each of which happens to be the object of desire of a local resident. Instead of money, however, Gaunt demands that townspeople perform a series of simple pranks. He has a plan, and these actions escalate until the town is at violent war with itself. The residents are brought to life by a talented cast, led by von Sydow's suave devil and including Ed Harris as the local sheriff, J.T. Walsh as a corrupt politician, and Amanda Plummer as a seemingly innocent baker. ~ Judd Blaise, Rovi

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Nadja (1994)


This stylish combination of expressionistic horror and deadpan black comedy centers on the activities of a beautiful female vampire on the streets of New York City. Playing fast and loose with the Dracula legend, the film examines the legendary count's children, particularly the alluring and mysterious Nadja (Elina Lowensohn). At the film's beginning, Nadja is celebrating her father's demise and hoping to begin a new life. She hopes that this life will include Lucy (Galaxy Craze), a spunky young woman that she seduces after an encounter in a New York bar. Unfortunately, Lucy is already married, to the nephew of eccentric vampire hunter Van Helsing (Peter Fonda), who disposed of Nadja's father and has now set his sights on capturing the daughter. Matters are further complicated when Nadja's brother Edgar (Jared Harris), a vampire who wishes to give up his blood-sucking nature, also becomes involved. Gorgeously shot by cinematographer Jim Denault in a mixture of 35mm black-and-white and low-budget Pixelvision video, the film resembles a combination of the surrealist visions of co-producer David Lynch and the quirky humor and stylized sensibility of Hal Hartley. The convoluted narrative sometimes fails to gel, and the self-conscious, arty approach will not appeal to audiences looking for conventional thrills, but those with a taste for the unusual may find the film an appealing contemporary spin on a familiar legend. ~ Judd Blaise, Rovi

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The Invisible Maniac (1990)


This juvenile rehash of The Invisible Man -- done as a combination of T&A sex-comedy and gory horror film -- stars Noel Peters as a sex-crazed mad scientist (given to ridiculous cackling fits) who evades the law by masquerading as a physics teacher at a high school filled to overflow with curvaceous blond bimbos. When the lecherous prof invents a "molecular reorganization" formula that renders him invisible, he finds even more opportunity to ogle the girls' showers and cop the occasional feel. Murdering anyone he suspects may be wise to his shenanigans, the professor eventually begins killing just for the fun of it. Writer-director Riff Coogan may have conceived this mess as a campy, Troma-style sex-and-gore romp, hardly a worthwhile aspiration. ~ Cavett Binion, Rovi

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Arachnophobia (1990)

 
Referring to the fear of spiders, Arachnophobia features a particularly deadly species of spider that manages to make its way from the Venezuelan rain forest to a small California town, thanks to the many oversights of entomologist Julian Sands. Yuppie doctor Jeff Daniels, fed up with the dangers inherent in big-city living, has resettled in this town on the assumption that nothing untoward could ever happen here to himself and his family. Before long, however, Daniels is trying to make sense of a series of sudden deaths-and to figure out why each of the corpses has been drained of blood. The audience, of course, knows that the culprits are those pesky South American spiders, which grow larger with each kill. To make matters worse, Jeff Daniels suffers from a profound case of arachnophobia. John Goodman supports the cast as a slovenly exterminator, and Frank Marshall, longtime producer of Steven Spielberg's films, makes his directorial debut in Arachnophobia. ~ Hal Erickson

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