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Showing posts with label Exploitation. Show all posts
Showing posts with label Exploitation. Show all posts

The Wizard of Gore (1970)



A sinister illusionist gets away with ghastly murders on-stage in this unique horror story. Though Montag the Magnificent (Ray Sager) appears to be eviscerating beautiful volunteers from the audience with railroad spikes, chainsaws, and punch presses, the girls always smile afterward and walk away unscathed, leading the adoring crowd to admire the magician's handiwork. However, each evening, those same women are found horribly murdered in similar fashions, leading a young couple to take interest in the case. Sherry Carson (Judy Cler) is fascinated with Montag's show and wants to feature his magic on her afternoon television program. Her boyfriend, Jack (Wayne Ratay), is a sports writer, but he decides to investigate the weird homicides that have plagued the city since Montag appeared. Eventually, it becomes clear that the magician is planning to commit mass murder by hypnotizing the audience of Sherry's TV show, and Jack has to act fast. But the evil Montag's magic has already warped the fabric of reality, and no outcome is certain. ~ Fred Beldin, Rovi
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Night Warning (1982)



Originally titled Butcher, Baker, Nightmare Maker

Billy (Jimmy McNichol, Kristy's younger brother) knows something is wrong when he comes home and finds that his batty, sexually repressed Aunt Cheryl (Susan Tyrrell in a stellar performance), has ruthlessly murdered the TV repairman -- not because he was inept or overcharged, but because she was overcharged and he managed to resist her advances. A gay-bashing detective (Bo Svenson) ignores the bare facts and single-mindedly plans to pin the murder on Billy for hanging out with a sexually suspect basketball coach. Meanwhile, Aunt Cheryl is doing everything to keep her little Billy at home (she has raised him since his parents were killed in a blazing car accident when he was 14 and does not want him to leave for college), even going to the trouble of lacing his milk with sickening substances so he is not well enough to go out. She also undermines his big game when the basketball scouts will be recruiting for college teams and manages to cause the gory disappearance of most of the cast members before the final scene plays out and an interesting identity is revealed. ~ Eleanor Mannikka, Rovi

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Scream Blacula Scream (1974)



In this horror sequel from the director of Count Yorga, Vampire, a member of an American voodoo cult revives the fanged Prince Manuwalde (William Marshall), only to become his slave. Manuwalde then puts the bite on various victims, but finds himself fixating on pretty Lisa (Pam Grier), a voodoo princess whom he believes can finally put his soul to rest. Lynne Moody, Nicholas Worth, and Bernie Hamilton are among the familiar cast, but the various occult trappings seem somewhat out of place in the modern Los Angeles setting and the production values are pretty shabby. Blaxploitation and camp fans should still find it mildly amusing, however, and Shakespearean actor Marshall is a lot of fun as the obsessive vampire. ~ Robert Firsching, Rovi

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Wheeler (1975)


AKA: Psycho From Texas

The plot of Psycho From Texas begins with charming yet violently deranged Texan drifter Wheeler arriving in a small, subdued Southern town. A sadistic yet conniving lout driven to the brink of psychosis by his abusive childhood, Wheeler's arrival spells trouble for several of the towns denizens. Following his arrival Wheeler soon strikes up an improbable rapport with William Phillips, a rich widower and local businessman who is presently downhearted due to his pretty adult daughter Connie's decision to become engaged to a man who Phillips views as an undesirable. It soon turns out that Wheeler's kindness towards Phillips is all a cynical ploy as he and a local reprobate named Slick have been employed by a shady, unknown figure to kidnap Phillips... writen by: jacksmith1983

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Dreamaniac (1986)



As a teenager, David DeCoteau was already working professionally in the movie business. He began as a production assistant on ESCAPE FROM NEW YORK and the Corman production GALAXY OF TERROR (both 1981), worked on craft service for such films as Ken Russell's CRIMES OF PASSION (1984) and also did some sound editing under the alias "Richard Chasen." Somewhere in between he got involved in the adult film industry (using the name "David McCabe") and would have over a dozen (mostly-all-male) X-rated features under his belt before the age of 25. The gory supernatural slasher DREAMANIAC (1986) - backed by Charles Band and released through his company Empire Pictures - was DeCoteau's first foray into 'legitimate' films as a director. He produced the film and probably also wrote it using the name "Helen Robinson." It possesses all of the earmarks of a low-budget slasher film from a first time director from this era, including terrible dialogue, God awful acting, inept direction, sloppy continuity errors, cringe-inducing attempts at humor and a bare minimum of both plot and location change. The budget was just 60,000 dollars, it was shot-on-video and though technically abysmal all the way around, it's fairly entertaining because it's gory (far gorier than the other films I've seen from the director) and the 80s sensibilities are occasionally amusing.

The film opens as Adam (Thomas Bern) has a nightmare about walking down a red-lit hallway naked and encountering an evil (and naked) woman in a blood-filled bath. As it turns out, our young hero has been toying around with black magic and has somehow managed to summon up a seductive succubus named Lily (Sylvia Summers). Let me take a brief time out to comment on Adam. Considering the fact he's supposedly a Satanist metal musician, Adam is hilariously wholesome, clean-cut and mild-mannered. He's even decked out in glasses and a ... Def Leppard t-shirt. Adam has a "punk" girlfriend named Pat (Kim McKamy) who has a preppy, sorority-hopeful sister named Jodi (Lauren Peterson). For some reason Adam agrees to let Jodi host a party at his house for her snotty sorority sisters - including the extremely unpleasant and slutty Francis (Cynthia Crass), who has her sights set on Jodi's boyfriend Brad (Brad Laughlin). Pat makes hash brownies for the occasion. The guests show up. Then the succubus shows up. And then the guests start getting killed by the succubus. Some of the victims return to life as zombies to try to kill the others. The end.

One of the only distinctive things about DREAMANIAC is the amount of homoeroticism and male flesh on display. There are more male asses, shirtless guys and guys in briefs than in any other 80s slasher film I can think of. During an electrocution scene, the camera placement isa even at crotch level on a guy gyrating in his tighty-whities. Admittedly, it's pretty funny seeing the obviously gay cast trying to play it straight. I wouldn't be one bit surprised if most of these guys were transplants from DeCoteau's gay porn past and their acting is about on that level. Strangely enough, the only verifiable porn connection of the cast is with lead actress McKamy. After appearing in this, EVIL LAUGH (1986), LUNCH MEAT (1986) and DeCoteau's follow-up CREEPOZOIDS (1987), she'd become popular adult star Ashley Gere. McKamy/Gere is easily the most watchable of the actors on display here and thankfully she's given the most to do at the end as well. The rest of the cast is amateurish and/or insufferable (those valley girls about take the cake).

Originally released by Wizard on VHS in a large-side display case proclaiming it "Too gory for the silver screen!" The film did well enough to prompt more Band/DeCoteau efforts, including the cult classic SORORITY BABES IN THE SLIMEBALL BOWL-O-RAMA (1987), the fun sci-fi comedy DR. ALIEN (1989), the above average sequel PUPPET MASTER III: TOULON'S REVENGE (1991) and many others.

written by: thebloodypitofhorror.blogspot.com

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Hellroller (1992)


''Fourteen dead bodies. Eight breasts. Dumpster-diving. Siamese-twin rapists. Death by barbell. Stabbing. Hand-hacking. Female mugger shishkabob. Hooker offed with a laundry iron. Eye-gouging. Head rolls. Drive-In Academy Award nominations for Penny Arcade, as the weird aunt, for saying "I should have aborted you!"; Ron Litman, as The Wheelchair Kid, for twitching with hate and screaming "I want my own place!"; David Sterry, as the King of the Bums, for wearing a World War I aviator's hat and giving orders to kill people from his Lazy-Boy recliner; and Michelle Bauer, for being nekkid a LOT, and for telling a maniac rapist "I do it with men, not apes! Why don't you get yourself a rubber doll?''
Joe Bob Briggs Reviews

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The Hills Have Eyes (1977)


While traveling in a trailer through the desert to California, the retired detective Big Bob Carter stops in an isolated gas station with his family for fueling and rest. Bob is traveling with his wife Ethel, his son Bobby, his daughters Brenda and Lynn and his son-in-law and Lynn's husband Doug and their daughter baby Katy. When they leave the gas station, the owner advises Bob to stay in the main road. However, the stubborn driver takes a shortcut through a nuclear testing site and wrecks his station wagon. With the family stranded in the middle of nowhere, Bob and Doug walk on the road trying to find some help. Bob is captured by an insane and sadistic member of a deranged evil family that lives nearby the spot. Doug returns to the trailer, and along the night the Carter family is attacked by a group of psychotic cannibal criminals. Absolutely trapped by the murderers, they have to fight to survive. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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The Last House on the Left (1972)



Wes Craven's first film was a crude but shocking horror opus that, like George A. Romero's Night of the Living Dead (1968), became a grind house hit largely because it went much further than terror films before it had been willing to go. Often compared to Ingmar Bergman's stark medieval rape drama The Virgin Spring (1960) (though one wonders whether this was influence or just coincidence), Last House on the Left follows a group of teenage girls heading into the city when they hook up with a gang of drug-addled ne'er-do-wells and are brutally murdered. The killers find their way to the home of one of their victim's parents, where both father and mother exact a horrible revenge. Like Tobe Hooper's The Texas Chainsaw Massacre two years later, Last House on the Left was an unrelievedly dark vision of contemporary horror that inspired many future films which copied its effects without achieving its visceral impact. ~ Mark Deming, Rovi

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Bloody Pit of Horror (1965)



Ex-Mr. Universe Mickey Hargitay plays the thick, musclebound host for the evil spirit of the notorious "Crimson Executioner," a sadistic Italian Baron in whose former castle Hargitay and a collection of sexy models are staging a Gothic-themed photo shoot. Before long, the sweaty brute is hauling the poor lasses into the dungeon to have at them with a wide assortment of torture devices. The film's ad slicks proudly proclaim this Euro-cheapie as being "Based on the works of the Marquis de Sade." Although this statement is pretty unlikely, it's still hard to refute: Who's to say a movie depicting the torture of numerous scantily-clad ladies isn't something the Marquis wouldn't heartily endorse? Authentic or not, it's certainly a sleazy little film, notable only for the novelty presence of Hargitay (Jane Mansfield's husband). Video-seekers can take their pick from a wide assortment of alternate titles: Bloody Pit of Horror, The Crimson Executioner, The Scarlet Executioner, Virgins for the Hangman and probably half a dozen others. ~ Cavett Binion, Rovi

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Trapped (1982)



Cult horror director William Fruet (Death Weekend, Spasms) teams with My Bloody Valentine screenwriter John Bearid for this backwoods shocker about a group of backpackers who do battle with a psychotic hillbilly. Four young university students are out camping in the woods when they witness an enraged Henry Chatwell (Henry Silva) stalking, torturing, and killing his wife's lover. With no means of calling the local sheriff, the students retreat back to their campsite. There, Henry takes them captive and declares they all must die. Realizing that old Henry has finally gone too far, two locals attempt to release the students, who are promptly recaptured by their crazed abductor. Later, desperate student Roger (Nicholas Campbell) acquires an axe and attempts to save his friends from certain death. ~ Jason Buchanan, Rovi

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House of 1000 Corpses (2003)


On October 30, 1977, Jerry Goldsmith (Chris Hardwick), Bill Hudley (Rainn Wilson), Mary Knowles (Jennifer Jostyn) and Denise Willis (Erin Daniels) are two couples out on the road in hopes of writing a book on offbeat roadside attractions. When the four meet Captain Spaulding (Sid Haig), a vulgar but friendly owner of a gas station and "Museum of Monsters & Madmen", they learn the local legend of Dr. Satan. As the four take off in search of the tree from which Dr. Satan was hanged, they pick up a young hitchhiker named Baby (Sheri Moon Zombie) who claims to live only a few miles away. Shortly after, the vehicle's tire bursts in what is later seen to be a trap and Baby walks to her family's house along with Bill. Only moments later, Baby's half-brother, Rufus (Robert Mukes), picks up the stranded passengers and takes them to the family home...

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Don't Go in the House (1979)



Donald Kohler is a young man who, as a child, was severely burned by his sadistic/overbearing mother as a cruel means of discipline and punishment. After years of social estrangement pass, Donald comes home to his mother after an accident at the local incinerator, only to find that his mother died in her sleep. Now released from her possession, Donald's mind teeters around dangerous activities in order to ease his repression; particularly searching out for women (blondes or brunettes, just like his mother) in random mundane locations, bringing them home, hanging them right side up in a personally installed steel plated room and burning them alive with a flamethrower. Written by Iate


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