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Showing posts with label HD. Show all posts

Skinwalker Ranch (2013)


In 2010 "Skinwalker Ranch" gained media attention after experiencing a wide range of unexplained phenomena. Reports ranged from UFO sightings to livestock mutilation, but maybe most notable was the disappearance of ranch owner Hoyt Miller's eight year old son, Cody on November 11, 2010. Close to a year later, Modern Defense Enterprises (MDE) has sent a team of experts to document and investigates the mysterious occurrences, which only escalate upon their arrival. The incidents become more violent, causing tensions to rise as the team must decide how far they will go to unlock the mysteries of "Skinwalker Ranch." The group debates whether the answers are worth risking their lives for, or if they should just call off the investigation and leave the ranch - that is, if leaving is actually an option... (c) Skinwalker Ranch

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Martyrs (2008)


Director Pascal Lauguier follows his 2004 thriller House of Voices with this relentlessly brutal tale of a girl who suffered unimaginable abuse as a young child, and the unspeakable horrors that unfold when she arrives at an isolated cabin in the woods fifteen years later. The story begins as the young, badly battered Lucie (Mylène Jampanoï) -- obviously the victim of inhuman abuse -- is hospitalized after somehow managing to escape her sadistic captors. Nearly catatonic after her life-altering ordeal, Lucie only manages to become functional again as a result of her friendship with Anna (Morjana Alaoui), a fellow abuse victim who selflessly reaches out to the badly damaged girl. Fifteen years later, Lucie guns down an entire family in cold blood. Is Lucie seeking belated vengeance against the people who tortured her as a young girl, or has her fragile psyche finally snapped, resulting in the bloody demise of an innocent family? Later, when Lucie calls on her old friend Anna, the truth about Lucie's traumatic early life experience slowly comes into focus. ~ Jason Buchanan, Rovi

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Mum & Dad (2008)


Stranded at work and with no hope of getting home, airport cleaning woman Lena accepts an invitation to spend the night with her perky colleague Birdie, only to find that her unusually close-knit family has some sinister secrets. Writer/director Steven Shiel makes his feature directorial debut with this distinctly British shocker. ~ Jason Buchanan, Rovi 

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The Prophecy (1995)


The directorial debut from Highlander screenwriter Gregory Widen stars Christopher Walken as the angel Gabriel, who, fed up with God giving all of his attention to humans, decides to stage a sort of coup. With plans of killing all of the good angels, Gabriel decides to enlist the help of a recently deceased and inhumanly malevolent army general. In order to prevent Gabriel from obtaining the help of the vicious Korean War vet, good angel Simon (Eric Stoltz) stashes the general's soul in an unsuspecting young Native American girl named Mary (Moriah Snyder). As Gabriel gets closer to finding Mary, an ex-seminary-student-turned-cop and a school teacher, played by Elias Koteas and Virginia Madsen, team together to protect her. Meanwhile, Satan (Viggo Mortensen) enters into the mix, concerned over the implications the heavenly war may have on his dominion. Later spawning a series of sequels, The Prophecy was released in the U.K. under the title God's Army. ~ Matthew Tobey, Rovi

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Rosemary's Baby (1968)


In Roman Polanski's first American film, adapted from Ira Levin's horror bestseller, a young wife comes to believe that her offspring is not of this world. Waifish Rosemary Woodhouse (Mia Farrow) and her struggling actor husband, Guy (John Cassavetes), move into the Bramford, an old New York City apartment building with an ominous reputation and only elderly residents. Neighbors Roman and Minnie Castevet (Sidney Blackmer and Ruth Gordon) soon come nosing around to welcome the Woodhouses to the building; despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, Guy starts spending time with the Castevets. Shortly after Guy lands a plum Broadway role, Minnie starts showing up with homemade chocolate mousse for Rosemary. When Rosemary becomes pregnant after a mousse-provoked nightmare of being raped by a beast, the Castevets take a special interest in her welfare. As the sickened Rosemary becomes increasingly isolated, she begins to suspect that the Castevets' circle is not what it seems. The diabolical truth is revealed only after Rosemary gives birth, and the baby is taken away from her. Polanski's camerawork and Richard Sylbert's production design transform the realistic setting (shot on-location in Manhattan's Dakota apartment building) into a sinister projection of Rosemary's fears, chillingly locating supernatural horror in the familiar by leaving the most grotesque frights to the viewer's imagination. This apocalyptic yet darkly comic paranoia about the hallowed institution of childbirth touched a nerve with late-'60s audiences feeling uneasy about traditional norms. Produced by B-horror maestro William Castle, Rosemary's Baby became a critically praised hit, winning Gordon an Oscar for Best Supporting Actress. Inspiring a wave of satanic horror from The Exorcist (1973) to The Omen (1976), Rosemary's Baby helped usher in the genre's modern era by combining a supernatural story with Alfred Hitchcock's propensity for finding normality horrific. ~ Lucia Bozzola, Rov
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Hide and Seek (2005)


"Come out, come out, wherever you are!" That command is familiar to everyone who has played the children's game, Hide and Seek. The words and game take us back to an innocent carefree time in our lives, where the simple goal was to find hiding playmates. Many children could even enjoy a spirited game with imaginary friends. But then, imaginary friends can sometimes seem so real...for young Emily Callaway, her games of Hide and Seek with an imaginary friend named Charlie have become anything but simple and innocent. Instead, she finds herself in the middle of a series of increasingly nightmarish acts that even her father David cannot stop. Who--or what--is Charlie? David wonders. How can an "imaginary" entity have this kind of hold on her? Maybe Charlie is not imaginary at all, but instead a flesh-and-blood, malevolent presence?

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Dark Circles (2013)


Haunted house film about a pair of sleep deprived parents who begin to experience disturbing visions after moving from the city to a country estate. Alex and Penny have just become parents of a baby boy when they decide that the city is no place to raise a child. Relocating to a farmhouse, the couple finds their relationship deteriorating due to the demands of caring for a newborn, including a lack of sleep. When Alex and Penny begin seeing a mysterious woman around the house, they at first dismiss the sightings as hallucinations brought on by sleep deprivation. But as the visions appear more often, the parents are forced to consider that evils are at work in their home. By the time the truth about their new home is revealed, their tenuous grip on sanity has already begun to slip. - Written by John Doe TW 

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Silent Night, Deadly Night (1984)


Offended parents and others protested this slasher film when it was released in 1984 because it portrays Billy (Robert Brian Wilson) as a toy-store Santa Claus who goes on a rampage and axes people to death while still in his Santa garb. Four sequels prove the adage that there is no such thing as bad publicity. When Billy was just a boy he saw someone dressed as Santa murder his parents at Christmastime. Billy's stint in an orphanage did nothing to unwarp his mind (he is tied to his bed for "misbehavior"), and when he starts playing Santa in the store -- much against his wishes since he is deathly afraid of both Christmas and Santa Claus, he first only frightens the children who come to see him. Then his mind snaps, and he repeats the scene he saw as a child, on one person after another, in full gory color. ~ Eleanor Mannikka, Rovi

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The Blair Witch Project (1999)

Combining Hi-8 video with black-and-white 16 mm film, this film presents a raw look at what can happen when college students forego common sense and enter the world of voodoo and witchcraft. Presented as a straightforward documentary, the film opens with a title card explaining that in 1994, three students went into the Maryland back woods to do a film project on the Blair Witch incidents. These kids were never seen again, and the film you are about to see is from their recovered equipment, found in the woods a year later. The entire movie documents their adventures leading up to their final minutes. The Blair Witch incident, as we initially learn from the local town elders, is an old legend about a group of witches who tortured and killed several children many years ago. Everyone in town knows the story and they're all sketchy on the details. Out in the woods and away from their parked car (and civilization), what starts as a school exercise turns into a nightmare when the three kids lose their map. Forced to spend extra days finding their way out, the kids then start to hear horrific sounds outside their tents in the pitch-black middle of night. They also find strange artifacts from (what can only be) the Blair Witch, still living in the woods. Frightened, they desperately try to find their way out of the woods, with no luck. Slowly these students start to unravel, knowing they have no way of getting out, no food, and it's getting cold. Each night they are confronted with shrieking and sounds so haunting that they are convinced someone is following them, and they quickly begin to fear for their lives. The film premiered in the midnight movie section at the 1999 Sundance Film Festival. ~ Chris Gore, Rovi

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Shutter (2008)

In North America, after getting married, the photographer Benjamin Shaw and his wife Jane travel to Japan for a job opportunity with Ben's friends Bruno and Adam. While driving on a lonely road in Japan during the night, they have a car accident with Jane hitting a girl first and crashing a tree. When they awake, the police do not find any body and Ben believes that Jane imagined the situation. Later when Ben reveals his latest pictures, he finds some mysterious shadows, while the couple is systematically haunted by the ghost of the girl. Jane investigates and finds that the victim was Ben's former shy and weird girlfriend Megumi Tanaka, who worked as translator for Ben. Later Jane discloses deep and hidden secrets about the relationship of Megumi, Ben and his friends Bruno and Adam. - Written by Claudio Carvalho

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Night of the Demons 2 (1994)


 Wattch also: Night of the demons (1988)

Angela, the universe's most unpleasant party crasher, returns! Angela's sister, Mouse, is taken by her bullying Catholic school classmates to a party at Angela's favorite haunt, and before long, everybody's being turned into demons and only a butt-kickin' nun, who wields her ruler like a mighty sword of steel, can save the day. - Written by Brian J. Wright

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The Exorcism of Emily Rose (2005)


In this blend of psychological thriller and courtroom drama, Emily Rose (Jennifer Carpenter) is a 19-year-old college student who begins displaying bizarre and troubling behavior; as her actions become increasingly destructive and shocking, Emily begins speaking in strange tongues and destroying religious symbols that surround her. Emily's parents believe that their daughter has become possessed of the devil, and the Catholic Church agrees to authorize an exorcism of the young woman. As Father Moore (Tom Wilkinson) attempts to drive the demons from Emily's body, the girl dies in the midst of the taxing ceremonies, and Father Moore finds himself charged with negligent homicide. Attorney Erin Bruner (Laura Linney) is hired to represent Father Moore against prosecutor Ethan Thomas (Campbell Scott), who intends to prove there were concrete medical explanations for Emily's behaviors, including epilepsy and schizophrenia, all leading to a heated courtroom debate between the notions of faith and science. The Exorcism of Emily Rose was inspired by the real-life story of Anneliese Michel, a young woman from Germany who died in 1976 after priests in Wurzburg spent eight months attempting to exorcise demons from her body. ~ Mark Deming, Rovi

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The Lords of Salem (2012)


From the singular mind of horror maestro Rob Zombie comes a chilling plunge into a nightmare world where evil runs in the blood. The Lords of Salem tells the tale of Heidi (Sheri Moon Zombie), a radio station DJ living in Salem, Massachusetts, who receives a strange wooden box containing a record, a "gift from the Lords." Heidi listens, and the bizarre sounds within the grooves immediately trigger flashbacks of the town's violent past. Is Heidi going mad, or are the "Lords of Salem" returning for revenge on modern-day Salem? (c) Anchor Bay

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Beyond the Door (1974)


Jessica Barrett is a young mother in San Francisco. Her family and friends begin to notice odd behavior around the time she falls pregnant with her third child. As the strangeness intensifies, Jessica begins to display signs of demonic possession including spinning her head all the way around and projectile vomiting. Dimitri, a lover from her past, shows up claiming to be able to help her, but it turns out he is in league with the entity possessing her, and is aiding the birth of her child, assumed to be the Antichrist, in exchange for the thing saving his life years before. The film ends with the entity turning on Dimitri, and suggesting all events were done for its own amusement. The entity then kills Dimitri, leaves Jessica's body, and the child is stillborn. At the end of the movie the young boy is seen throwing a toy red car (a symbol of toying with Dimitri) in the bay suggesting that he is the Antichrist.

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The Howling (1981)


This groundbreaking, darkly comic horror film from director Joe Dante changed the look and feel of werewolf movies in ways light-years distant from Universal's horror classic The Wolf Man. The story begins with television reporter/anchor Karen White (Dee Wallace) taking part in a dangerous police operation intended to trap psychopath Eddie Quist (Robert Picardo). When confronted by Eddie face to face, she witnesses something horrifying enough to trigger selective amnesia. Plagued by a series of violent nightmares, Karen decides to admit herself to a posh recovery resort known only as "The Colony," run by her eccentric New Age therapist, Dr. Waggner (Patrick MacNee), and brings along her husband, Bill (Christopher Stone), for support. The night after they arrive, Karen and Bill are unnerved by eerie howling in the woods.Back in the city, Karen's co-workers Chris (Dennis Dugan) and Terry (Belinda Balaski) have been investigating Eddie's background after discovering that his body has disappeared from the morgue. Sifting through Eddie's possessions, they find a strange collection of artwork depicting wolf-like creatures, and decide to consult with Walter Paisley (Dick Miller, of course), the owner of an occult bookshop, on werewolf lore. Though he claims not to believe in the stuff he's selling, Paisley nevertheless convinces Chris to purchase a handful of silver bullets...just in case.Back at the colony, Dr. Waggner has organized a hunting party after hearing Karen's account of the nocturnal howling, but the men find nothing but a rabbit, which Bill is told to bring to the cabin of the sultry Marsha (Elisabeth Brooks) to prepare for dinner. After resisting Marsha's less-than-subtle sexual overtures, Bill is attacked by a wolf while returning to his cabin. The following moonlit night, the sleepless Bill wanders outside to find Marsha waiting and the two make love by the campfire, their bodies undergoing a frightening transformation. Just as Karen is beginning to suspect that her husband is hiding a secret far more threatening than marital infidelity, Chris and Terry have come to realize -- too late, in Terry's case -- that Eddie Quist is not only still alive, but not quite human...and he knows he's being followed. Chris arrives at the colony too late to save Terry, but manages to find Karen just as the colony's residents -- all of whom are werewolves, including Dr. Waggner -- are assembling to decide her fate.Dante fills his film with heartfelt homages to The Wolf Man and other classic horror movies, as well as a few clever visual puns and in-jokes from his tenure with Roger Corman, but never strays from the path to genuine horror, particularly when Rob Bottin's chilling monsters are onscreen. ~ Cavett Binion, Rovi

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In Dreams (1999)


Claire Cooper (Annette Bening), has been having psychic visions all of her life, though she's never been clear of what they mean. Now an adult, she lives an idyllic, small-town life in a Massachusetts farmhouse with her airline-pilot husband Paul (Aidan Quinn) and her young daughter Rebecca (Katie Sagona), while Claire illustrates children's books. A psychopath (Robert Downey Jr.) has been kidnapping young girls in their area, and one is currently missing. Claire has a recurring dream about the killer walking with a girl through an apple orchard. Paul tells police detective Jack Kay (Paul Guilfoyle), who doesn't believe him, as the girl's body had been found at the bottom of the lake. Claire's vision was actually a premonition, starting a chain of events that would create a two-way link to the killer. The key to the mystery is the lake itself, of which Claire dreams, created when the old town of Northfield was flooded to make a reservoir. As her psychiatrist Dr. Silverman (Stephen Rea) does not understand her now waking dreams, Claire alone must now lose herself to the visions. She must relive the killer's memories to find his identity and location. Director Neil Jordan has explored the nature of dreams in a more Freudian manner in his Company of Wolves. ~ Ron Wells, Rovi

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The Monster Squad (1987)


12-year-old Sean Crenshaw and his best friend Patrick are die hard monster fanatics. Along with their friend Horace (nicknamed Fat Kid),junior high tough guy Rudy, Sean's kid sister Phoebe, and little Eugene they come together and talk monsters. But when Dracula, Frankenstein, The Wolf Man, The Gill Man, and The Mummy come to their small town to get an amulet to control the world, Sean leads his friends into action to protect their town from the forces of evil. 

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Deadly Friend (1986)


Paul Conway is the new kid in town, who has his own invention, a robot named BeeBee. Paul becomes friends with Samantha, the girl next door, but his efforts to see her are frequently thwarted by her abusive and jealous father Harry. On Halloween, Paul plays a prank on his sinister neighbor, Elvira a mean evil old woman who lives across the street from him. However in a fury, Elvira destroys Paul's robot BeeBee. Several weeks later, Samantha is murdered by her father. In a desperate attempt to save his new love, Paul implants BeeBee's microchips into Samantha's corpse and successfully brings her to life, but he doesn't realize that his friend has become an unstoppable monster bent only on murder and destruction. 

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The Addiction (1995)


Kathleen Conklin was just a normal student attending college. While walking home one night she is dragged off the street and bitten by a strange woman. Soon Kathleen goes from being a normal student to being a vampire. Kathleen's need for blood is similar to a drug addict's need for drugs, and we watch as she goes from one fix to the next. - Written by Justin Sharp

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Jug Face (2013)


JUG FACE tells the story of a pregnant teen trying to escape a backwoods community when she discovers that she may be sacrificed to a mysterious pit. The entity in the pit requires a life for keeping the community safe. The face of the person to be sacrificed is crafted onto a ceramic jug. When ignored, the entity unleashes an evil onto the community. Now no one is safe as tragedy befalls each member one by one and they soon realize that the pit wants what it wants. (c) Modern Distributors

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End of the Line (2007)


A ride on the subway takes a woman to an unexpected and very dangerous place in this independent horror thriller from Canadian filmmaker Maurice Devereaux. Karen (Ilona Elkin) works as a nurse at a psychiatric hospital and has had a very trying day dealing with new patients, made all the more stressful by the news that a close friend and former patient has killed herself. Wanting nothing more than a quiet evening at home, Karen is waiting on a subway platform when she's approached by a religious zealot who wishes to talk to her. She isn't interested, but the stranger soon gets her attention when he demonstrates that the cross around his neck hides a switchblade. Mike (Nicolas Wright), another commuter waiting for his ride home, comes to Karen's rescue and they board the train together. However, before they can reach their stops, a power failure brings the subway to a halt and Karen and Mike find they're trapped with a handful of fanatics belonging to the same sect; they are convinced the Apocalypse is on the way, and before the Rapture can take place, they must sacrifice the non-believers, which means Karen and Mike must fight for their lives. End of the Line received its world premiere at the 2006 Toronto Film Festival. ~ Mark Deming 

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Vacancy 2: The First Cut (2009)


 Murder by Numbers star Agnes Bruckner headlines this sequel to the tense, 2007 horror thriller about a lonely motel that's wired for terror. When Caleb, his new fiancée Jessica, and their wisecracking friend Tanner checked into the Meadow View Inn, they thought their scariest thing about their stay would be the tacky décor. But folks who check into this motel are never heard from again, because the sadistic Mr. Smith and his murderous accomplices have a habit of murdering their guests on camera and turning the tapes for a tidy profit. When Caleb, Jessica, and Tanner fall into Mr. Smith's diabolical trap, their only hope for survival is to fight though the night and become as brutal as their attackers. ~ Jason Buchanan, Rovi

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Grotesque (2009)


AKA: Gurotesuku

An unnamed doctor has always had everything he's ever wanted, but that has only made him develop more extreme and depraved needs. He kidnaps a young couple in the prime of their life together and forces them into a game of torment that slowly extinguishes their hopes for survival. Banned in the UK.

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Pale Blood (1990)


''A pretty good direct-to-video vampire tale that has an intriguing premise but doesn't completely live up to its potential. L.A. is the backdrop for a series of brutal murders, where female victims have every drop of blood drained from their bodies. Director Hsu (who was born in Hong Kong, moved to the U.S. and graduated from UCLA's film program; she also co-scripted) flips the roles seen in your standard vampire film by making a mere mortal (Wings Hauser) responsible for the murders and our hero (George Chakiris) a sullen and understated vampire who flies in from London to team up with a female private investigator (Pamela Ludwig) to try to catch the killer... ''

Source: thebloodypitofhorror.blogspot.com
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Farmhouse (2008)


Stranded in the remote countryside after wrecking their car, a couple seeking to start over discovers that there's no escape from the sins of their past in this grim thriller starring Steven Webber and Kellu Hu. When Chad (William Lee Scott) and Scarlet (Jamie Allan Allman) packed up their car and drove out of the city, they thought they were leaving the worst behind. After a near-fatal car crash leaves them deeply rattled, Scarlet notices a well-kept farmhouse far off in the distance. When the couple arrives, kindly owner Samael (Webber) and his wife invite them to stay until morning, when they can drive them into town and get their car looked at. But Chad and Scarlet have waited far too long to atone for the past, and salvation won't come easy as they fight for their lives against two mysterious strangers who seem to know their darkest secrets, and seem intent on making them suffer the torments of the damned. ~ Jason Buchanan, Rovi

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