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Showing posts with label Vampire movies. Show all posts
Showing posts with label Vampire movies. Show all posts

The Blood Spattered Bride (1972)


AKA: La Novia Ensangrentada

Vicente Aranda directed this erotic horror film, continuing themes which he had explored in the previous year's Exquisite Cadaver. Alexandra Bastedo stars as a lesbian vampire who woos frigid newlywed Maribel Martin away from her husband Simon Andreu on their honeymoon. Aranda fills the film with haunting imagery, gorgeously photographed by veteran cinematographer Fernando Arribas, and the story's sometimes illogical twists are compensated for with heavy, skillfully-crafted atmosphere. The American video print of this stylish vampire film is missing almost 20 minutes, so viewers are advised to seek out an uncut version. ~ Robert Firsching, Rovi

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The Addiction (1995)


Kathleen Conklin was just a normal student attending college. While walking home one night she is dragged off the street and bitten by a strange woman. Soon Kathleen goes from being a normal student to being a vampire. Kathleen's need for blood is similar to a drug addict's need for drugs, and we watch as she goes from one fix to the next. - Written by Justin Sharp

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The Unnamable (1988)


The movie starts in the 18th century to set the scene and tease at the foundation of a ghost story that drives the main characters to a haunted house on the skirts of a cemetery. The setting changes to present day (1980s). A group of college students are drawn to the house rumored to be haunted. Randolph claims to have a distant tie to the past of the house. The beast within the house set to picking them off one by one. With the aid if ancient spells and trees the beast is banished. - Written by Raevyn
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Pale Blood (1990)


''A pretty good direct-to-video vampire tale that has an intriguing premise but doesn't completely live up to its potential. L.A. is the backdrop for a series of brutal murders, where female victims have every drop of blood drained from their bodies. Director Hsu (who was born in Hong Kong, moved to the U.S. and graduated from UCLA's film program; she also co-scripted) flips the roles seen in your standard vampire film by making a mere mortal (Wings Hauser) responsible for the murders and our hero (George Chakiris) a sullen and understated vampire who flies in from London to team up with a female private investigator (Pamela Ludwig) to try to catch the killer... ''

Source: thebloodypitofhorror.blogspot.com
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Bram Stoker's Dracula (1992)


Based on Bram Stoker's classic 1897 novel, this film from Francis Ford Coppola and screenwriter James Victor Hart offers a full-blooded portrait of the immortal Transylvanian vampire. The major departure from Stoker is one of motivation as Count Dracula (Gary Oldman) is motivated more by romance than by bloodlust. He punctures the necks as a means of avenging the death of his wife in the 15th century, and when he comes to London, it is specifically to meet heroine Mina Harker (Winona Ryder), the living image of his late wife (Ryder plays a dual role, as do several of her costars). Anthony Hopkins is obsessed vampire hunter Van Helsing, while Keanu Reeves takes on the role of Jonathan Harker, and Tom Waits plays bug-eating Renfield. Bram Stoker's Dracula was the winner of three Academy Awards. ~ Hal Erickson, Rovi

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Scream Blacula Scream (1974)



In this horror sequel from the director of Count Yorga, Vampire, a member of an American voodoo cult revives the fanged Prince Manuwalde (William Marshall), only to become his slave. Manuwalde then puts the bite on various victims, but finds himself fixating on pretty Lisa (Pam Grier), a voodoo princess whom he believes can finally put his soul to rest. Lynne Moody, Nicholas Worth, and Bernie Hamilton are among the familiar cast, but the various occult trappings seem somewhat out of place in the modern Los Angeles setting and the production values are pretty shabby. Blaxploitation and camp fans should still find it mildly amusing, however, and Shakespearean actor Marshall is a lot of fun as the obsessive vampire. ~ Robert Firsching, Rovi

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Nadja (1994)


This stylish combination of expressionistic horror and deadpan black comedy centers on the activities of a beautiful female vampire on the streets of New York City. Playing fast and loose with the Dracula legend, the film examines the legendary count's children, particularly the alluring and mysterious Nadja (Elina Lowensohn). At the film's beginning, Nadja is celebrating her father's demise and hoping to begin a new life. She hopes that this life will include Lucy (Galaxy Craze), a spunky young woman that she seduces after an encounter in a New York bar. Unfortunately, Lucy is already married, to the nephew of eccentric vampire hunter Van Helsing (Peter Fonda), who disposed of Nadja's father and has now set his sights on capturing the daughter. Matters are further complicated when Nadja's brother Edgar (Jared Harris), a vampire who wishes to give up his blood-sucking nature, also becomes involved. Gorgeously shot by cinematographer Jim Denault in a mixture of 35mm black-and-white and low-budget Pixelvision video, the film resembles a combination of the surrealist visions of co-producer David Lynch and the quirky humor and stylized sensibility of Hal Hartley. The convoluted narrative sometimes fails to gel, and the self-conscious, arty approach will not appeal to audiences looking for conventional thrills, but those with a taste for the unusual may find the film an appealing contemporary spin on a familiar legend. ~ Judd Blaise, Rovi

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Last Rites (1980)


A small-town funeral director, doctor and sheriff are vampires who suck blood from the recently not-quite-dead on the embalming table and then immediately kill the newly converted vampire. When one of their victims disappears before being staked, they are threatened with being exposed if the new vampire surfaces. Very low budget. Based on a true story? Written by Jeff Hole

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Dracula (1931)






"I am....Drac-u-la. I bid you velcome." Thus does Bela Lugosi declare his presence in the 1931 screen version of Bram Stoker's Dracula. Director Tod Browning invests most of his mood and atmosphere in the first two reels, which were based on the original Stoker novel; the rest of the film is a more stagebound translation of the popular stage play by John Balderston and Hamilton Deane. Even so, the electric tension between the elegant Dracula and the vampire hunter Professor Van Helsing (Edward Van Sloan) works as well on the screen as it did on the stage. And it's hard to forget such moments as the lustful gleam in the eyes of Mina Harker (Helen Chandler) as she succumbs to the will of Dracula, or the omnipresent insane giggle of the fly-eating Renfield (Dwight Frye). Despite the static nature of the final scenes, Dracula is a classic among horror films, with Bela Lugosi giving the performance of a lifetime as the erudite Count (both Lugosi and co-star Frye would forever after be typecast as a result of this film, which had unfortunate consequences for both men's careers). Compare this Dracula to the simultaneously filmed Spanish-language version, which makes up for the absence of Lugosi with a stronger sense of visual dynamics in the lengthy dialogue sequences. In 1999, a special rerelease of Dracula was prepared featuring a new musical score written by Philip Glass and performed by The Kronos Quartet. ~ Hal Erickson, Rovi

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The Hunger (1983)



The exquisitely beautiful Catherine Deneuve plays Miriam, a centuries-old vampire capable of bestowing the gift of immortality on her lovers -- namely her current partner John (David Bowie). To sustain their sanguinary requirements, the pair cruises New York nightclubs in search of victims (as illustrated in a stunning opening sequence to the accompaniment of "Bela Lugosi's Dead" performed by seminal Goth band Bauhaus). When John awakens one morning to discover telltale signs of aging, it is revealed that his own sustained youth is not permanent, and his physical decrepitude begins to increase at an incredible rate. In a panic, John visits the clinic of scientist Sarah Roberts (Susan Sarandon), who has recently published a book on reversing the aging process, but she initially dismisses him as a crank, leaving him to sit in the lobby for several hours... during which his body ages several decades. After learning of his condition, Sarah traces John to his uptown flat. John is nowhere to be found, having been consigned by Miriam to a box in the attic with her legions of undead loves, leaving Miriam to deal with Sarah -- which she does quite effectively, seducing her into a steamy lesbian tryst. Their passion is consummated by a mingling of Miriam's blood with Sarah's, which later manifests itself as a psychic link between the two women and leaves Sarah with a rapidly-increasing appetite for blood. ~ Cavett Binion, Rovi

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Way of the Vampire (2005)



After defeating Dracula, Van Helsing is granted immortality by the Church to pursue and eradicate vampires from the face of the earth. His hunt leads him through time, across continents to a bloody showdown between his slayers and an army of demons led by Sebastian, the vampire who took the only woman Van Helsing ever loved.

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Alucard (2008)



Bram Stoker's classic novel Dracula gets a modern makeover in this low budget adaptation from director John Johnson. An old count from Transylvania is planning a move to the more populated area of Nilbog, and young lawyer Jonathan Harker has been sent to ensure that everything goes smoothly for the reclusive nobleman. Undeterred by rumors that the land surrounding the count's castle is cursed, Harker ventures into the countryside head held high and determined to focus on the task at hand. When Harker discovers that the local lore is in fact true and that Count Alucard is indeed a vampire, he seeks the aid of the famed Dr. VanHelsing in defeating the count and preventing his terror from infecting the peaceful citizens of Nilbog.

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Fright Night Part 2 (1988)



Three years after killing the vampire in the original, Charlie has started to believe it was all his imagination and starts to forget that vampires truly exist - until four strangers lead by Regina, a noted actress, arrives at Peter Vincent's house and starts to have an unhealthy interest in Charlie, Peter and Charlie's new girlfriend Alex. It becomes clear that Regina is Jerry's (the vampire in the original film) sister and she is determined to get revenge on the friends and plans to turn Charlie into a vampire - so that he can face his punishment for all eternity. Written by Lee Horton 

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The Night Flier (1997)



The story follows a reporter named Richard Dees as he attempts to follow and catch up with a murderer who kills his victims in a vampiristic style, and who seemingly flies to each murder scene by plane, a black Skymaster. At one point, Dees finds dirt in the plane, heightening the suspense of this film. The plot culminates in Dees' confrontation with 'The Night Flier' and his own loss of sanity.
Dees' nemesis is a young female reporter who joins the staff at the exploitative magazine "Inside View", where he ranks as senior reporter. She at first is dismissed by him as naive and at best a "Jimmy", as in "Jimmy Olsen", then is actively abused by him. She ultimately survives him and writes about Dees' death, prominently featured on the title page of the magazine "Inside View".


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The Thirst (2006)


In an urban underworld of pleasure and pain where flesh-fueled slaughter is the ultimate high, Matt Keeslar (DUNE) and Clare Kramer (BUFFY THE VAMPIRE SLAYER) star as a pair of recovering drug addicts recruited by a clan of sex and gore crazed vampires led by the charismatic madman Darius (Jeremy Sisto of SIX FEET UNDER). But as each depraved 'fix' leads them deeper into hell, what will be the final price for the most horrific addiction of all?

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Children of the Night (1991)


The film begins with two childhood friends, Cindy Thompson and Lucy Barrett (Ami Dolenz), going away to college. As a town ritual, they must rid themselves of the "dirt" of their small town and cleanse themselves by swimming laps in an abandoned church crypt. Both girls strip down to their underwear, jump into the water. Cindy begins to tease Lucy about the corpses that are supposedly under the water. Lucy drops her crucifix, which drifts down to land on the remains of an ancient vampire, Czakyr,awakening him. This vampire, Czakyr, who was living off of the children he took with him upon killing himself awakes and takes the life of Cindy right in front of Lucy. Mark Gardner (Peter DeLuise), a school teacher from a nearby town, gets directed to Allburg by an old friend of his, Father Frank Aldin (played by Evan Mackenzie). Once there he tries to help Lucy, as she has now become the target of a town-turned-vampire, due to her "virgin blood". So Lucy, Mark, and a druken preacher make camp in an abandoned building outside of town and make plans to fight the vampire army. Utilizing the preacher's "cross mobile" they battle Allburg's entire vampire populace, ultimately taking on the evil Czakyr. Once Czakyr has been killed, the town's folk return to normal, with some complaining of "splinters in their chests".

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