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']]}The Demon Murder Case (1983)
Burned at the Stake (1981)
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']]}Unmasked Part 25 (1988)
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']]}Out of the Body (1989)
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Some gravity-defying being is killing women in Sydney, Australia, and removing their eyes. The only hope of catching the fiend lies in a hapless man with a psychic link to the killer, who is soon suspected of the crimes.
REVIEW:
Director – Brian Trenchard-Smith
Starring – Mark Hembrow, Tessa Humphries, Linda Newton
From the land down under comes Out Of The Body, a by the numbers but nonetheless somewhat entertaining low budget horror movie. Oh, it’s cheesy and the acting a tad overdramatic but there is far worse out there. The pacing stays steady and there are quite a few kills, the blood and gore not too bad. So is this something that you should see? Do you like astral projection, possible ancient Egyptian curses and watching a man slowly go insane? If you answered yes to any of the above then this just might be for you.
Our movie starts out with some nighttime shots of Sydney harbor followed by our hero, David, and his girlfriend making love. Afterwards they fall asleep and David has what will be the first of many premonitions.
A young lady leaves work and heads down to her car in the parking garage. Pretty normal until a mysterious fog appears out of nowhere and a couple of wooden beams crash to the ground. She makes a mad dash for her car, only to be lifted high up into the air as she reaches for her keys. The car alarm goes off and a security guard and his dog come running to find out what is going on.
Nothing much, just the lady hanging some forty feet up, dead with her eyes gouged out. As the security guard desperately tries to open a door to climb up to get to the lady his dog dies from a sudden heart attack. Just who or what is responsible?
The police aren’t quite sure. The one thing they don’t want to hear is David’s pleas that he can see the plight of these poor women and that he knows who the next victim is going to be. Problem is he blacks out before he sees them die so he’s not really sure who or what is responsible. But how in the world does he know this? Suffice it to say it doesn’t take long for him to be a suspect.
Coming to the rescue is David’s girlfriend. She knows better, having spent the last couple of years immersed in ancient Egyptian studies. She explains to David that he must have the ability to do some astral travel, a neat way to be in two different places at the same time. At first David shakes off the notion but soon discovers, with the help of a psychologist, that she may be on to something. And as the body count rises, he may be the only one to stop the murders.
Out Of The Body isn’t all that bad of a movie. You’ve probably seen the plot before as it’s been done a lot over the years but aren’t most horror movies rather similar? So aside from the basic plot, how does the rest of it hold up.
The director, Brian Trenchard-Smith (of Leprechaun 3 and 4), keeps the pacing steady and manages to squeeze in a decent number of deaths. There are no real scares, no make you jump out of your seat scenes but the kills are actually not that bad. Basic but with a decent amount of blood.
The acting can be a bit over the top, especially from our lead, David (played by Mark Hembrow). He screams and yells, emotes and sweats profusely at all the right times, which if nothing else makes for an interesting watch. A couple of amusing scenes has him playing a keyboard at his home, trying to come back to some sense of reality by way of the power of music. The music is synthesized and reminded me a lot of Yanni. Never thought I’d say his name in writing a horror movie review.
In the end I would have to say see this but only if you can catch it for free and you have nothing else to do. It’s a decent horror movie that does have a couple of pretty cool scenes. But for some they won’t be enough to overcome the rest of the movie.
Written by: horrornews.net
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']]}Evil Altar (1988)
review by: ''unclehugo'' imdb
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']]}Cassandra (1986)
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Other than saying that Cassandra is about a young woman who is experiencing visions of horrors that she's not sure really occurred or not, I would rather not describe the plot. Much of the effectiveness of the movie hinges on a gradual realization of what's going on and what the various characters' roles are. However, just so you're not completely in the dark (if you're reading this trying to decide whether you'd like to check out the movie or not), the premise concerns an upper-middle-class Australian family with apparent marital problems. The husband, a photographer, is having an affair, and the wife, a fashion designer, always seems uncomfortable, although we don't know why exactly. Cassandra is their daughter, and her nightmares are getting worse and interfering with her daily functioning.
The first half creates and continues to build a strong sense of foreboding. Although it alters somewhat when the first `real time' killing occurs, the alteration is equally successful, as the foreboding evolves into a story of increasing distrust that conveys the sense of the floor falling out from underneath you that is inherent in distrust. The last third or so - when it turns into a more by-the-numbers stalker story - is a bit less engaging, but it still works.
Cassandra is a lower-budget film with a minimum of sets/settings, but those that are there are used to maximum potential. Particularly captivating is the "old farmhouse" seen in both black and white (in Cassandra's nightmares) and in color at different times. The farmhouse comes across like an evil Andrew Wyeth painting come to life. Also particularly effective is the score, which in its minimalist and slow-moving way, is as responsible for buildling tension throughout the film as any other element.
Any horror fan who doesn't need constant action and gore to be entertained should seek out Cassandra on video, as well as anyone else who enjoys films that masterfully create various atmospheres of unease.
Written by: Brandt Sponseller - classic-horror.com
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']]}Hellroller (1992)
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Joe Bob Briggs Reviews
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