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Diary of a Madman (1963)



Following the funeral of Simon Cordier (Vincent Price), a French magistrate and amateur sculptor, his secret diary is read out by Simon's pastor friend to a group of people gathered around the table – the pastor's daughter, an elderly couple, and an Army Captain. The diary transpires that Simon has come into contact with a malevolent entity. The invisible - yet corporeal - being, called a "horla" is capable of limited psychokinesis and complete mind control. Cordier first interacts with the horla when he meets a prisoner whom the horla drove to commit murder. The horla possesses the inmate and attempts to kill Cordier, who in self-defense accidentally kills the man. The magistrate inherits the prisoner's troubles as the horla turns its hauntings toward him. As the horla begins to destroy Cordier's life, he fears he is going mad and seeks help from a psychologist, who effectively suggests a hobby. Cordier chooses to pick up his old interest in art, meeting a model along the way. The horla insists the model is not the charming jewel that Cordier sees, but instead a conniving gold digger, and compels Cordier to treat her as such. This sets up a conflict in Cordier, that he might not be the astute judge of character that his title indicates. As his and others' lives are put in jeopardy, he becomes convinced of the horla's existence and decides drastic measures are needed to end the horla's evil. He lures the horla into his house at night. When his presence is felt, Simon hurls an oil lamp towards the curatins, slowly setting the house ablaze. At last Simon succeeds in ridding the horla, but not without sacrificing himself, as the house burns in flames. The film concludes with the people seated round the table agreeing that so long as the horla – which they believe to be a figment of Simon's imagination – exists in the hearts of Man, evil will prevail. Thus, the horla is viewed as a metaphor of evil.

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Twice-Told Tales (1963)



Each of the three sequences is introduced by Vincent Price (in a voice-over). Price also stars in all three narratives.

"Dr. Heidegger's Experiment"
Two elderly friends, Carl (Sebastian Cabot) and Alex (Price) get together to celebrate Carl Heidegger's 79th birthday. They discover that Heidegger's bride-to-be from 38 years before, Sylvia, is perfectly preserved in her coffin. Heidegger discovers that the water dripping into the coffin has the power to reverse time. Carl and Alex drink it, and become young again. Carl injects the liquid into Sylvia and she comes back to life...only to reveal that she and Alex were secretly lovers. In a struggle Alex kills Carl, but the effects of the water wear off. Sylvia becomes a desiccated skeleton, Carl's body returns to its original age. Alex turns, then goes back to the crypt to find more of the water, only to find that it no longer flows.

"Rappaccini's Daughter"
In Padua, Giacomo Rappaccini (Price) keeps his daughter Beatrice in the back yard garden. A student next door, Giovanni, sees her and falls in love. One of Giovanni's teachers says that he used to teach with Rappaccini, but he mysteriously quit and locked himself in his house after his wife ran away with a lover. It turns out that Beatrice has been treated with a mysterious exotic plant that makes her touch deadly. Giacomo applied this treatment to his daughter to keep her safe, but it makes her a prisoner. When Giacomo sees the attraction between Giovanni and Beatrice, he knocks out and treats Giovanni as well so they can be together. Giovanni goes to his teacher and gets an experimental antidote. He goes to Beatrice and takes it, but it kills him. Beatrice drinks it as well, killing herself. Giacomo grabs the plant with both hands and its touch kills him.


"House of the Seven Gables"
Gerald Pyncheon (Price) returns to his family house after an absence of 17 years, bringing with him his wife Alice. His sister Hannah, who had been living in the house, tells Alice about the curse put upon Pyncheon men by Matthew Moll, who used to own the house but lost it in a shady deal to the Pyncheon family. Jonathan Moll, a descendant of Matthew, arrives, but he refuses Gerald's offer to give him the house in exchange for the location of a vault where valuable property deeds are stored. Alice becomes haunted by the curse on the house, which eventually leads her to the cellar. Gerald finds her there and discovers the map to the vault. He kills Hannah to keep her share of the inheritance. Gerald traps Alice in the basement grave of Mathew Moll, then goes to the study to find the vault. He opens it, and a skeletal hand inside the vault kills him. Jonathan arrives and takes Alice out of the house, just as it shakes and collapses.

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The Bat (1959)



Cornelia Van Gorder (Agnes Moorehead) is a mystery author who lives in a town terrorized by a mysterious murderer known only as "The Bat". The Bat is said to be a man with no face who murders women at night by ripping out their throats with steel claws. Early in the film, The Bat enters Van Gorder's house and releases a bat, which bites van Gorder's maid Lizzy (Lenita Lane). With Lizzy in a panic, fearing she may now have contracted "the rabies", an outbreak of which local papers have reported, Van Gorder calls her doctor, Dr Malcolm Wells (Vincent Price), who is conducting research on bats.
Meanwhile, the whole town is searching for a million-dollar stash of looted bank securities that were recently stolen. Dr. Wells discovers the location of the treasure when the thief confides in him. Wells then murders the thief in cold blood, presumably so that he can take the treasure for himself, which he believes to be hidden in van Gorder's house.
A series of break-ins and murders by The Bat brings the local chief of detectives, Andy Anderson (Gavin Gordon) to the Van Gorder house. The Bat then murders two people in the Van Gorder house, Mark Fleming (John Bryant) and Judy Hollander (Darla Hood). Anderson attempts to determine the identity of The Bat, suspecting both Wells and Van Gorder's new butler, Warner (John Sutton). Wells is removed from suspicion, however, when he is murdered by The Bat in his lab.
Miss Van Gorder cleverly manages to capture The Bat inside the secret room in her house. The Bat shoots a detective named Davenport (Robert Williams), he is then shot by Warner. Warner unmasks The Bat and he is revealed to be Lieutenant Anderson.

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The Tingler (1959)



The coroner and scientist Dr. Warren Chapin is researching the shivering effect of fear with his assistant David Morris. Dr. Warren is introduced to Ollie Higgins, the relative of a criminal sentenced to the electric chair, while making the autopsy of the corpse, and he makes a comment about the tingler-effect to him. Ollie asks for a lift to Dr. Warner, and introduces his deaf-mute wife Martha Higgins, who manages a theater of their own. Dr. Warner returns home, where he lives with his unfaithful and evil wife Isabel Stevens Chapin and her sweet sister Lucy Stevens. Dr. Warner, upset with the situation with his wife, threatens and uses her as a subject of his experiment. When Martha dies of fear, Dr. Warner makes her autopsy and finds a creature that lives inside every human being, feeds with fear and is controlled by the scream. Once Martha was not able to scream, the tingler was not rendered harmless and became enormous. When the living being escapes, Dr. Warner and Ollie chase it in a crowded movie theater. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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The Masque of the Red Death (1964)



The story is set in medieval Europe. On the slopes of a mountain, an old woman meets a mysterious, red-cloaked figure, shuffling Tarot cards. The figure gives the woman a white rose, which then turns red and dappled with blood.
Prince Prospero, a Satanist, visits the village over which he holds dominion, and is angrily confronted by two poor and starving villagers, Gino and Lodovico. Prospero angrily sentences the pair to death, but Lodovico's daughter Francesca begs for their lives. Prospero discovers that the old woman who encountered the red figure is infected with a deadly plague, the Red Death. He orders the village burned down to prevent the spread of the disease, abducts Francesca, and then invites several dozen of the local nobility to his castle.
At the castle, Francesca is finely dressed and tutored in etiquette by Prospero's jealous consort, Juliana, and the gathered nobility are entertained by a pair of dwarf dancers, Esmeralda and Hop-Toad. When Esmeralda accidentally spills a goblet of wine, one of Prospero's guests, Alfredo, strikes her. Juliana expresses her wish to Prospero to be initiated in to his Satanic cult, and, that night, Francesca is terrified to discover Juliana and Prospero lying in a strange, hypnotic state in the Black Room...

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The Fly (1958)



After her husband Andre Delambre is crushed to death in a mechanical press, his wife recounts to his brother Francois Delambre and police Inspector Charas the events of the previous few months. They were very much in love and with their little boy, a very happy family. Andre was experimenting with teleportation - transporting objects from one point to another by breaking the object down to the atomic level and then reassembling it in a receiver a distance away. The system had some glitches - it seemed to work with inanimate object but his cat disappeared when he tried teleporting it. He thinks he's solved all of the problems with his invention and decides to try and teleport himself. When a fly enters the teleportation device with him, disaster strikes. Written by garykmcd

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It's My Party and I'll Die If I Want To (2007)


Seventy years ago, Jacob Burkitt murdered and dismembered his entire family and cast a dark shadow over the small town of Monessen, Pennsylvania. Now Sara's friends have decided to make her 18th birthday a night to remember by throwing her a surprise party in the reputedly haunted Burkitt Manor. As her friends set up the party, the evil within the house awakens and begins killing off her friends one by one. Does Sara have what it takes to save her friends from almost certain death or will she too become victim to the horrors of Burkitt Manor? Written by Tony Wash

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